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El libro de los muertos

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Bestseller Cornwell's 15th novel to feature Dr. Kay Scarpetta (after 2005's Predator) delivers her trademark grisly crime scenes, but lacks the coherence and emotional resonance of earlier books. Soon after relocating to Charleston, S.C., to launch a private forensics lab, Scarpetta is asked to consult on the murder of U.S. tennis star Drew Martin, whose mutilated body was found in Rome. Contradictory evidence leaves Scarpetta, the Italian carabinieri and Scarpetta's lover, forensic psychologist Benton Wesley, stumped. But when she discovers unsettling connections between Martin's murder, the body of an unidentified South Carolina boy and her old nemesis, the maniacal psychiatrist Dr. Marilyn Self, Scarpetta encounters a killer as deadly as any she's ever faced. With her recent switch from first- to third-person narration, Cornwell loses what once made her series so compelling: a window into the mind of a strong, intelligent woman holding her own in a profession dominated by men. Here, the abrupt shifts in point of view slow the momentum, and the reader flounders in excessive forensic minutiae. Reed Business Information

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El libro de los muertos, Patricia Cornwell

Idioma
Publicado en
2008
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(Tapa dura)
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3,7
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Título
El libro de los muertos
Idioma
Español
Editorial
EDB FICCION
Publicado en
2008
Formato
Tapa dura
Páginas
440
ISBN10
8466636544
ISBN13
9788466636544
Primera publicación
2007
Título original
Book of the Dead
Calificación
3,7 de 5
Descripción
Bestseller Cornwell's 15th novel to feature Dr. Kay Scarpetta (after 2005's Predator) delivers her trademark grisly crime scenes, but lacks the coherence and emotional resonance of earlier books. Soon after relocating to Charleston, S.C., to launch a private forensics lab, Scarpetta is asked to consult on the murder of U.S. tennis star Drew Martin, whose mutilated body was found in Rome. Contradictory evidence leaves Scarpetta, the Italian carabinieri and Scarpetta's lover, forensic psychologist Benton Wesley, stumped. But when she discovers unsettling connections between Martin's murder, the body of an unidentified South Carolina boy and her old nemesis, the maniacal psychiatrist Dr. Marilyn Self, Scarpetta encounters a killer as deadly as any she's ever faced. With her recent switch from first- to third-person narration, Cornwell loses what once made her series so compelling: a window into the mind of a strong, intelligent woman holding her own in a profession dominated by men. Here, the abrupt shifts in point of view slow the momentum, and the reader flounders in excessive forensic minutiae. Reed Business Information