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The Library of Tibetan Classics - 24: Beautiful Adornment of Mount Meru

A Presentation of Classical Indian Philosophy

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  • 632 páginas
  • 23 horas de lectura

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This work offers a clear and insightful survey of classical Indian philosophy in Tibetan. Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) serves as a doxography, systematically presenting the philosophical tenets of both Indian Buddhist and non-Buddhist schools, progressing through increasingly subtle views. The title refers to the Buddha’s teachings, with Changkya excelling in his treatment of the Mahayana Buddhist schools, particularly the Yogacara (Vijñaptimatra) and Madhyamaka. Unlike Jamyang Shepa’s longer Great Exposition of Tenets, which inspired Changkya, this work is noted for its clarity and economical citations from Indian texts. It goes beyond merely cataloging assertions, skillfully examining core philosophical issues and including intriguing ancillary discussions. Like Jamyang Shepa’s text, Changkya’s work is rooted in the Geluk tradition, drawing heavily on Tsongkhapa and his disciples. Its manageable size and lucid style have made it a classic source for studying Indian thought within the Tibetan cultural sphere. In contemporary academia, it remains a key resource for understanding the Tibetan interpretation of classical Indian philosophical systems.

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The Library of Tibetan Classics - 24: Beautiful Adornment of Mount Meru, Changkya Rölpai Dorjé, Donald S. Lopez

Idioma
Publicado en
2019
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Título
The Library of Tibetan Classics - 24: Beautiful Adornment of Mount Meru
Subtítulo
A Presentation of Classical Indian Philosophy
Idioma
Inglés
Publicado en
2019
Formato
Tapa dura
Páginas
632
ISBN10
0861714636
ISBN13
9780861714636
Serie
Etiquetas
Descripción
This work offers a clear and insightful survey of classical Indian philosophy in Tibetan. Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) serves as a doxography, systematically presenting the philosophical tenets of both Indian Buddhist and non-Buddhist schools, progressing through increasingly subtle views. The title refers to the Buddha’s teachings, with Changkya excelling in his treatment of the Mahayana Buddhist schools, particularly the Yogacara (Vijñaptimatra) and Madhyamaka. Unlike Jamyang Shepa’s longer Great Exposition of Tenets, which inspired Changkya, this work is noted for its clarity and economical citations from Indian texts. It goes beyond merely cataloging assertions, skillfully examining core philosophical issues and including intriguing ancillary discussions. Like Jamyang Shepa’s text, Changkya’s work is rooted in the Geluk tradition, drawing heavily on Tsongkhapa and his disciples. Its manageable size and lucid style have made it a classic source for studying Indian thought within the Tibetan cultural sphere. In contemporary academia, it remains a key resource for understanding the Tibetan interpretation of classical Indian philosophical systems.