Más información sobre el libro
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'
Compra de libros
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs
- Idioma
- Publicado en
- 2014
- Encuadernación
- (Tapa blanda),
- Estado del libro
- Bueno
- Precio
- 6,99 €
Métodos de pago
Nadie lo ha calificado todavía.
- Título
- Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
- Autores
- Lester Bangs
- Editorial
- Profile Books
- Publicado en
- 2014
- Formato
- Tapa blanda
- Páginas
- 416
- ISBN10
- 1781252777
- ISBN13
- 9781781252772
- Serie
- Etiquetas
- No ficción, Arte / Cultura, Tema histórico, Historia, Historias reales, Temática musical, Música, Siglo XX, Periodismo & Ensayos, Periodismo y Publicidad, Crítica, Cultura popular, Rock, Música popular
- Descripción
- Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'


