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Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung

Parámetros

  • 416 páginas
  • 15 horas de lectura

Más información sobre el libro

Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'

Compra de libros

Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs

Idioma
Publicado en
2014
Encuadernación
(Tapa blanda),
Estado del libro
Bueno
Precio
6,99 €

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Título
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
Editorial
Profile Books
Publicado en
2014
Formato
Tapa blanda
Páginas
416
ISBN10
1781252777
ISBN13
9781781252772
Serie
Descripción
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'