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De Rotters Club

roman

Parámetros

  • 424 páginas
  • 15 horas de lectura

Más información sobre el libro

At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's <i>The Rotters' Club</i> is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation.<p> The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. <i>--Sean Thomas, Amazon.co.uk</i></p>

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De Rotters Club, Jonathan Coe

Idioma
Publicado en
2001
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Título
De Rotters Club
Subtítulo
roman
Idioma
Holandés
Editorial
Meulenhoff
Publicado en
2001
Páginas
424
ISBN10
9029069104
ISBN13
9789029069106
Serie
Descripción
At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's <i>The Rotters' Club</i> is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation.<p> The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. <i>--Sean Thomas, Amazon.co.uk</i></p>