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Ekaterina Shapiro-Obermair

History and Other Objects

Parámetros

  • 155 páginas
  • 6 horas de lectura

Más información sobre el libro

This publication documents a selection of works from the past ten years and links different work groups of with one another. As different as the media in which Shapiro-Obermair works are?painting, sculpture, graphics, but also video and photography?her projects always take the same topics as a starting point or eventually return to them. The artist links historical and art-historical knowledge production and investigates the interrelations between ideology and form. Based on biographical experiences, she repeatedly explores the question of which channels shape identities?including artistic ones?and what visual expression this entails. The found and the documentary form their normal vocabulary just as much as the gestural or the concrete. The publication pays special attention to the artist?s graphic works, which are otherwise rarely shown and often taken from the series? context.

Compra de libros

Ekaterina Shapiro-Obermair, Anna Matveeva, David Quigley, Astrid Peterle, Ekaterina Shapiro-Obermair, Katalin Timár

Idioma
Publicado en
2020
Encuadernación
(Tapa blanda),
Estado del libro
Bueno
Precio
25,59 €

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Título
Ekaterina Shapiro-Obermair
Subtítulo
History and Other Objects
Idioma
Inglés
Publicado en
2020
Formato
Tapa blanda
Páginas
155
ISBN10
3903172510
ISBN13
9783903172517
Serie
Etiquetas
Arquitectura
Descripción
This publication documents a selection of works from the past ten years and links different work groups of with one another. As different as the media in which Shapiro-Obermair works are?painting, sculpture, graphics, but also video and photography?her projects always take the same topics as a starting point or eventually return to them. The artist links historical and art-historical knowledge production and investigates the interrelations between ideology and form. Based on biographical experiences, she repeatedly explores the question of which channels shape identities?including artistic ones?and what visual expression this entails. The found and the documentary form their normal vocabulary just as much as the gestural or the concrete. The publication pays special attention to the artist?s graphic works, which are otherwise rarely shown and often taken from the series? context.