To Tell the Truth
- 432 páginas
- 16 horas de lectura
The second nailbiting thriller featuring investigative reporter Rosie Gilmour
Rosie Gilmour Serie
Esta serie sumerge a los lectores en el apasionante mundo de una reportera de investigación que se enfrenta a verdades peligrosas. Cada asignación la impulsa a descubrir oscuros secretos, mostrando su coraje y determinación inquebrantables. Las narrativas están repletas de suspense, giros inesperados y dilemas éticos que ponen a prueba sus habilidades y la naturaleza misma de la justicia. Es un viaje cautivador para los fanáticos de los thrillers crudos y las protagonistas femeninas resilientes.
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To Tell the Truth
- 385 páginas
- 14 horas de lectura
A three-year-old girl is snatched from a Spanish beach while on holiday with her parents. Nobody heard a sound. Nobody saw a thing. Or so they claim. Rosie Gilmour is enjoying a well-deserved holiday on the Costa del Sol: one that is cut short when the abduction story breaks and she's sent to cover it. Rosie's instincts tell her something's wrong. Such a crime, committed in broad daylight, must surely have its witnesses? The girl's mother's story, what's more, doesn't add up. When Rosie is approached by an illegal sex worker with information about the abduction, her instincts are confirmed. Key information about the crime is being withheld from the authorities. The reason: corrupt politicians and vicious human trafficking gangs - enemies one would think twice about making. But thinking twice is not in Rosie's DNA, especially when a child's life is at stake. As she closes in on the truth, Rosie realises the penalty for missing this particular deadline could be her own death.
Screams in the Dark
- 340 páginas
- 12 horas de lectura
Refugees are disappearing in Glasgow. The mutilated body of one has been found, but the police aren't interested. Can crime reporter Rosie Gilmour uncover the truth before the killer comes for her? Steeped in its own problems, Glasgow's mushrooming underclass is simmering with resentment and the sudden flow of Kosovan refugess into the city; and one by one, refugees are disappearing. The authorities assume the refugees have vanished into the black economy, until the mutilated body of an Albanian man is fished out of the River Clyde. Asylum seekers and refugees with no roots and no families are easy pickings. But why is there no urgency from the authorities to find out what's happening? Rosie Gilmour's instincts tell her there's more to this story, but after six weeks on the frontlines in Kosovo, is her sympathy for the refugees clouding her judgement?