Thomas Bernhard

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The annotation explores various critical perspectives on the works of Thomas Bernhard, highlighting themes such as conformity, disorientation, and the intricacies of communication. A. Pfabigan discusses the tension between individual and collective texts, while W. Schmidt-Dengler analyzes the metaphor of pathways in Bernhard's prose. W. Seitter delves into the geopolitical dimensions of Bernhard's narratives. A. Honold examines the influence of habit, and D. von Hoff investigates the strategy of obscuring meaning in "An der Baumgrenze." M. Opitz critiques the presence of monotonous absurdity, and M. Tabah addresses misogyny in "Auslöschung." R. Steingröver reflects on the folly of insight, while S. Krammer looks at power dynamics in communication through silence in Bernhard's drama. M. Richter observes language games related to causality, and U. Dronske explores linguistic dramas. A. Herzog interprets "Auslöschung" as a form of self-erasure, while U. Betz discusses ambivalence and the concept of doubles in Bernhard's later works. O. Jahraus contemplates communication arising from unreachable consciousness, and G. Howes critiques anti-psychiatry in Bernhard's writing. H. Eickhoff addresses the theme of illness and control, while B. Damerau analyzes the interplay of content and form. R. Langer presents images of suffering, E. Leonardy discusses death rituals, and P. Kahrs reflects on the genesis of a narrative. Finally, I. Craci