Erzähl' mir vom Leben

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Gina Ruck-Pauquet thematizes the contrast between a wanderer and a tree, questioning who holds the better fate. Britta Baas explores humanity's long-standing fascination with trees, prompting reflections from Hubertus Halbfas. Katrin Reichel shares her hereditary love for nature, stemming from a family of foresters, and notes her children's affinity for green. Jörg Zink reminisces about his childhood understanding of the forest, now a complex mystery in his old age. Reichel also delves into biblical references to trees through Nebuchadnezzar's dream. Manuel Andrack emphasizes the forest's capacity to provide happiness, if one avoids crowded paths. Vera Kröning narrates the König family's vacation in a treehouse hotel, built by a man with a hermit’s spirit. Bettina Röder reflects on the wonder of life and expresses concern for humanity's future, engaging with Michael Succow. Baas recounts a lengthy conflict over the Kellerwald-Edersee National Park, involving a secret mission and a minister's intervention. Farah Lenser highlights Wangari Maathai's green movement, which spans half of Africa, as she plants trees alongside thousands of women. Other contributions include Johanna Reichel's Villa Apfelwiese, Amelie Schmidt's whimsical take on squirrels, Viktoria Pollmann's poignant tree reflection, Ulrich Benner's connection to his roots, and Rainer Koltermann's view of the park as a second home.