Realistisches Schreiben in der Weimarer Republik

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This collection explores the theme of realism in literature during the Weimar Republic through various scholarly contributions. It begins with an overview of realistic writing in the context of idealism and the literary reception of Weimar Classicism. The discourse includes examinations of documentary narratives and the interplay between reportage and realism. Contributions also address the influence of Russian exile literature in Berlin and the relationship between realism and modernism, particularly in the works of Kracauer and Brecht. The significance of accessories and interiors in new-objective texts is discussed, alongside the role of satire in realism. Jewish authors and their impact on Weimar culture are highlighted, as well as the complex realism found in the works of Hermann Broch and Rudolf Borchardt. The collection delves into the experimental narrative techniques of Alfred Döblin and his portrayal of urban realism. Further analysis includes the writings of Toller, Kästner, and Tucholsky, as well as the exploration of abortion dramas and the inner voice in Marieluise Fleisser's work. The poetics of new objectivity in Rudolf Brunngraber's novel is evaluated, alongside Hans Carossa's transition from realistic documentation to symbolic elevation. Intertextuality in Veza Canetti's first story and the interplay of magical realism and impressionism in Friedo Lampe's narrative are also examined. Finally, the collectio