Robert Rauschenberg's 'Combines' - Masterpieces of the New Sensibility - Between Abstract Expressionism and Pop Art

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The paper examines the evolution of the American art scene in the 1950s and 1960s, focusing on Robert Rauschenberg's pioneering role in transitioning from Abstract Expressionism to Pop Art. It highlights the significance of Rauschenberg's early works and analyzes Susan Sontag's influential essays from the mid-1960s, which shaped art criticism and introduced a new sensibility to audiences. This exploration emphasizes the interconnectedness of Rauschenberg's artistry and Sontag's critical perspective in understanding the cultural landscape of the era.