Volksmusik in den Alpen: interkulturelle Horizonte und Crossovers ; [inklusive DVD]

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Marcello Sorce Keller (Lugano) explores the regions, layers, and soundscapes of the Alps. Gerlinde Haid (Wien) discusses Musica Alpina, highlighting male and female perspectives. Barbara Kostner (Corvara-Wien) examines traditional singing in Gadertal, focusing on the multilingual nature of song traditions in the Ladin Dolomites. Patrick Mazellier (Saint-Donat-sur-l'Herbasse) traces the influence of Occitan-speaking valleys in Italy to Dauphiné and Vivarais. Anja Kapun (Wien) questions whether singing is separated by language, analyzing German and Slovenian folk songs in Jauntal/Podjuna. Dieter Ringli (Zürich) addresses the challenges of Swiss folk music. Thomas Nussbaumer (Innsbruck) highlights the complexity of music in alpine carnival traditions. Ursula Hemetek (Wien) delves into research on musical minorities and urban ethnomusicology. Monika Oebelsberger (Salzburg) discusses folk music in school music education. Hartmut Krones (Wien) examines the intersection of folk music and art music from 1300-2000. Nussbaumer also investigates "air tirolien" in artistic and popular adaptations. Brigitte Bachmann-Geiser (Bern) looks at folk music and instruments in Swiss art music. Thomas Hochradner (Salzburg) studies folk music in the works of Cesar Bresgen, while Josef Sulz (Innsbruck) focuses on composer Werner Pirchner (1940-2001). Ignazio Macchiarella (Trento) discusses new music in the Italian Alps rooted in tradition, and Igor Cv