Dichterjuristen

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S. Blum explores the legal dimensions in Johann Fischart's sonnet cycle, while H. Ullrich examines the interplay of legal rhetoric and poetic aesthetics in Georg Rodolf Weckherlin's "Urtheil des Paris." G. Gabbiadini discusses the themes of human rights and revolutionary violence in Maximilian von Klinger's fragment "Das zu frühe Erwachen des Genius der Menschheit." J. Happ analyzes the concept of law in Goethe's "Wahlverwandtschaften," and A. Eder delves into the notion of truth in Heinrich von Kleist's works. M. Käfer presents a disciplinary case against E. T. A. Hoffmann, while M. C. Foi investigates Grillparzer's poetic legalism within Habsburg society. Y. Nilges highlights the relationship between law and humor in Johann Nestroy's writings. J. Gruber reflects on moral standards in Flaubert's "Madame Bovary," and G. Haut discusses the implications of criminal law in Theodor Storm's "Ein Doppelgänger." B. Hayer addresses the transcendence of law in Kafka's "Der Prozess," while C. Parau explores the aesthetic and legal theory in Carl Schmitt's early works. E. Petropoulou examines justice as individual virtue in Kazantzakis's philosophy, and M. Kopp-Marx analyzes themes of guilt in Bernhard Schlink's literature. J. Drees investigates the de jure/de facto distinctions in Georg M. Oswald's narratives, and M. Bauer considers the role of the lawyer as a storyteller in Ferdinand von Schirach's works. Finally, J. Wittmann discusses