Stops

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In this slender first-time solo publication of recent works by the German photo-basedartist Jurgen Nabor, a series of 48 black and white photographs of bus sheltersin people-less rural Norwegian landscapes recall the visual texture of the Dusseldorfaesthetic of the 1970s. An essay by independent curator Henriette Heidbrinkdiscusses the centering of the subject in each photograph and Nabor's debt toother conceptual photographic series such as Ed Ruscha's 26 Gas Stations (1963),Thomas Ruff's series of houses (from 1987), Jens Hauge's Treehouses (2009), andJoself Schulze's photographic works Ubergang (2005-8) and Poststructure (2012).