Scenography as New Ideology in Contemporary Curating and the Notion of Staging in Exhibitions

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Exploring the intersection of scenography and contemporary curating, this thesis examines how artistic staging practices have evolved from theater to influence modern exhibitions. It highlights scenography's transformative role in reshaping traditional exhibition methods, leading to significant ideological shifts in curatorial practices. By investigating this merger, the paper opens up new discussions about the impact of scenographic techniques on contemporary design and exhibition strategies, marking a revolutionary change in the field.