Acht-Punkte-Proklamation des poetischen Actes

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A. Millner and M.-O. Schuster introduce a collection exploring various facets of H. C. Artmann's literary contributions. The text includes contextual reflections on the Eight-Point Proclamation of the poetic act and examines friendships and deceptions surrounding Artmann. H. C. Buch presents two approaches to Artmann, while P. K. Wehrli delves into identity themes in his work. J. Jung reflects on specific locations significant to Artmann's life, and P. Pabisch shares anecdotes that highlight chaos in Artmann's literature. D. Strigl discusses Artmann's aspirations, and W. Straub notes interactions with Hans Weigel, offering insights into the 1950s literary scene. P. Pechmann analyzes Artmann's connection to the "Grazer Gruppe," while V. Vermeer explores his engagement with popular culture and youth literature. T. Antonic questions the distinction between Artmann and Brinkmann in pop literature, and D. Pifeas addresses Artmann's contributions to children's literature. C. Dirmhirn and S. Kiefer investigate Artmann's ties to Romanticism and the Austrian avant-garde. S. Kaar discusses the significance of paratexts in Artmann's plays, and M.-O. Schuster considers his work's poetic situations. P. Waterhouse and J. Lajarrige examine specific texts and themes, while R. von Paschen and M. Leonhardmair address translations of Artmann's work, concluding with S. Gutlederer's exploration of Nordic motifs in his literature.