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Eberhard Havekost makes dense, anti-gestural paintings that explore the tension between a highly mediated image and the visceral immediacy of a seductively painted surface. Working from shots from TV and video, images from magazines and catalogues and his own photographs, he selects subjects ranging from anonymous buildings, trains and trailers, and modifies them - sometimes just painting a section of the image - to make inkjet prints as the departure point for his paintings
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Eberhard Havekost, Craig Burnett, Helen Legg, John-Paul Stonard
- Idioma
- Publicado en
- 2010
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