The Body in the Mirror

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Exploring the intersection of cinema and politics, this book presents a nonlinear history of Italian film, from silent works during the fascist era to neorealism and modernist movements post-1968. Angela Dalle Vacche highlights the influences of opera and commedia dell'arte while analyzing how Italy's national self-image evolves on screen in response to historical contexts. By examining key concepts like allegory and spectacle, the work offers valuable insights for scholars and readers interested in cultural studies and the complexities of Italian cinema.