Flash and Crash Days

Exploring Brazilian theater in the 1980s and 1990s, this work highlights the emergence of postmodernist directors and women playwrights in the wake of dictatorship. It challenges the notion that theater flourishes only under repression, arguing that the absence of censorship has fostered diverse artistic expressions. The book examines themes such as gender identity, psychological struggles, and societal roles, showcasing how these elements have enriched Brazil's theatrical landscape and allowed for a broader range of voices and ideas to be represented.