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The book addresses the identity crisis in art history as it attempts to reconcile with contemporary global and mass media culture. Through a series of essays, it critically examines the foundational assumptions and presumptions within the field, offering insights and interventions that challenge traditional perspectives. This exploration aims to foster a deeper understanding of how art history can evolve in the face of modern influences.
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Writing Art History: Disciplinary Departures, Margaret Iversen, Stephen Melville
- Idioma
- Publicado en
- 2010
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