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Exploring the colonial mentality in Canadian theatre festivals, this satirical work critiques the cultural dynamics and power structures at play. Through sharp wit and incisive commentary, it challenges the assumptions and practices that shape the performing arts landscape, offering a thought-provoking examination of identity and representation. The narrative invites readers to reflect on the implications of colonialism in contemporary culture, making it a compelling read for those interested in theatre and social critique.
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Claptrap, Tom Wood
- Idioma
- Publicado en
- 1998
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