Communicating with Indigenous People in "The Coral Island" by Ballantyne, "She" by Haggard and "The Prisoner of Zenda" by Hope

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Adventurers in Victorian novels often encounter diverse cultures, leading to rich communication processes. This seminar paper explores three key works: "The Coral Island," where protagonists face South Pacific cannibals; "She," featuring life with an African tribe; and "The Prisoner of Zenda," involving a disguise as a Ruritanian monarch. Each narrative showcases the complexities of interaction and cultural exchange, highlighting how these encounters shape the characters and their adventures. The analysis emphasizes the significance of communication in these literary works.