How to Write a Damn Good Novel
- 174 páginas
- 7 horas de lectura
Covers characterization, plot, theme, conflicts, climax and resolution, point of view, dialogue, revision, and manuscript submission.
Esta serie de guías ofrece herramientas esenciales tanto para escritores aspirantes como experimentados. Proporciona consejos prácticos y técnicas probadas para crear narrativas cautivadoras con personajes complejos y tramas emocionantes. Cada volumen profundiza en aspectos cruciales de la narración, desde el desarrollo de la trama hasta el dominio del diálogo y los arcos de los personajes. Es un recurso invaluable para cualquiera que busque perfeccionar sus habilidades de escritura de ficción y crear historias verdaderamente impactantes.
Covers characterization, plot, theme, conflicts, climax and resolution, point of view, dialogue, revision, and manuscript submission.
Advanced Techniques For Dramatic Storytelling
"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification.How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.