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Teoría del Teatro y la Performance

Esta serie profundiza en cuestiones críticas sobre el papel del teatro en la cultura, centrándose en las prácticas contemporáneas y la historiografía. Escrita para estudiantes y un público general, cada volumen utiliza estudios de caso para sumergir a los lectores en debates actuales dentro de los estudios teatrales y de performance. Explora enfoques interdisciplinarios para la creación teatral y las implicaciones de cómo se estudia el teatro. La colección ofrece profundas perspectivas sobre un campo en constante evolución.

Copyright and the Value of Performance, 1770-1911
Stage Fright, Animals, and Other Theatrical Problems
Professing Performance

Orden recomendado de lectura

  • Professing Performance

    Theatre in the Academy from Philology to Performativity

    • 268 páginas
    • 10 horas de lectura

    Focusing on the evolving use of the term "perform" in contemporary academic discourse, this study explores its significance across various prefixes and suffixes, revealing its complexity for students, artists, and scholars. By analyzing the history of theater studies and contrasting different disciplinary interpretations, it contextualizes performance theory and performance studies, highlighting the intricate relationships between these fields and their institutional developments.

    Professing Performance
  • Focusing on the intricacies of live performance, this study examines the various mishaps and challenges that can occur on stage. It delves into the factors that contribute to these errors, exploring both the technical and human elements involved in theatrical productions. By analyzing real-life examples, the work offers insights into the complexities of staging and the resilience required from performers and crew when faced with unexpected situations.

    Stage Fright, Animals, and Other Theatrical Problems
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    Copyright and the Value of Performance, 1770-1911