Michael Cunningham Libros

Una mañana de 1923, en un suburbio de Londres, Virginia Woolf se despierta con la idea que se convertirá en La señora Dalloway. En los años noventa, en Nueva York, Clarissa Vaughan compra flores para una fiesta en honor de Richard, un antiguo amigo enfermo de SIDA que ha recibido un importante premio literario. En 1949, Laura Brown, un ama de casa de Los Angeles, prepara una tarta de cumpleaños para su marido con la ayuda de su hijo pequeño. Éstas son las tres mujeres, y los momentos de partida, de Las horas, una emotiva novela que se adentra en el mundo de Virginia Woolf con extremada sensibilidad e inteligencia. Al igual que la protagonista de su obra, los personajes se debaten entre la soledad, la desesperanza y el amor por la belleza y la vida hasta unirse en un trascendente final.

An extraordinary travel guide to Provincetown, a small town at the tip of Cape Cod, known as the first landing of the Pilgrims and a haven for outsiders and visionaries. Michael Cunningham, enchanted by the town's charm, invites readers to explore his favorite place amidst sand and sea.

Get ready for the online adventures of one man who just wants to make friends. And one very annoyed world. Based on the ingenious Sir Michael Twitter account, How to (Almost) Make Friends on the Internet is the funniest book you'll read this year. Whether it's offering his services as a Karate Lawyer or Funeral DJ, devising the world's worst plan to get a free haircut, or trying to buy a blue bucket that may or may not be for sale, Michael just wants to connect with people. The only problem is that people are slightly less enthusiastic about connecting with him, and the results are utterly hilarious. Warning: you'll never think about adding someone called Michael to a group chat the same way ever again.

Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf. In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel. A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the stories of three unforgettable women.

Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway. In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English. The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind.

From the bestselling author of The Hours and Specimen Days comes a generous, masterfully crafted novel with all the power of a Greek tragedy. The epic tale of an American family, Flesh and Blood follows three generations of the Stassos clan as it is transformed by ambition, love, and history. Constantine Stassos, a Greek immigrant, marries Mary Cuccio, an Italian-American girl, and they have three children, each fated to a complex life. Susan is oppressed by her beauty and her father's affections; Billy is brilliant, and gay; Zoe is a wild, heedless visionary. As the years pass, their lives unfold in ways that compel them--and their parents--to meet ever greater challenges.

From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

Provincetown, physically remote, and heartbreakingly beautiful, has been amenable and intriguing to outsiders for as long as it has existed. Written by the author of the best-selling, Pulitzer Prize-winning The Hours, this work brings us Provincetown, one of the extraordinary towns in the US, perched on the sandy tip at the end of Cape Cod.

Cuando se publica La muerte en Venecia en el otoño de 1912, Thomas Mann tiene treinta y siete años, está casado y es padre de cuatro hijos. Ya ha escrito I Buddenbrook y los dos capolavoros Tristano y Tonio Kröger, y es un escritor reconocido, considerado por algunos críticos en el apogeo de su potencia narrativa. En el relato sobre la muerte de Gustav von Aschenbach, la crisis que sacude Europa permanece en el fondo. En primer plano, se presenta el retrato implacable, a veces caricaturesco, del gran autor arrastrado por la aventura artística y la pulsión erótica hacia la muerte. Se explora la pasión del protagonista maduro, la descomposición moral y la pérdida del autocontrol. Mann narra de manera a menudo paradójica y enfática la patología de la vocación estética, la disciplina y el culto a la perfección formal, así como las estrategias de defensa contra el desorden. Representa la cultura y la belleza como una disminución del impulso vital, como una corrupción de la vida y los valores burgueses. Venezia se presenta como el fondo ambiguo y hermoso de estos eventos, un homenaje a la gran literatura de fin de siglo y al decadentismo europeo.

In a novel of human progress and social decline, three characters are seen in three different eras: the Industrial Revolution; the 21st century and 150 years into the future as the poet Walt Whitman presides over each episode.

Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours, and exquisitely illustrated by Yuko Shimizu. Rarely have our bedtime stories been this dark, this perverse, or this true.

Imagine what a dictionary might look like about thirty years hence, when all of the world's problems are solved and our current dictionaries are a distant memory. Dave Eggers, Jonathan Safran Foer and Nicole Krauss have lined up an incredible array of writers to bring you that futuristic dictionary and a vision of the world as it might be. Think of it as a dictionary of language for describing what the future could look like a dictionary that is both useful and romantic, hopeful and necessary, pragmatic and idealistic, and frequently funny. This is science fiction but with a difference.

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn ‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon ‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous

Peter and Rebecca Harris: mid-forties denizens of Manhattan’s SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

In November 2004, Barrett Meeks, reeling from another lost love, finds himself in Central Park, where he is inexplicably drawn to a pale, translucent light in the sky that seems to regard him with a godlike presence. Despite his skepticism towards visions and faith, he cannot ignore this experience. Meanwhile, in Bushwick, Brooklyn, Beth, engaged to Barrett's older brother Tyler, is battling colon cancer. Together, they navigate a fragile yet happy existence. Tyler, a struggling musician with a drug addiction, is desperately trying to compose a wedding song that transcends mere sentimentality to embody eternal love. As Barrett grapples with the significance of the light, he unexpectedly turns to religion, while Tyler increasingly believes that drugs are the key to unlocking his creative potential. Beth confronts her mortality with courage and stoicism. The narrative follows the divergent paths of the Meeks brothers in their quests for transcendence. With subtle, lucid prose, the author captures the complexities of his characters and delves into the depths of the human soul, blending beauty and heartbreak, comedy and tragedy, affirming his status as a significant voice in contemporary literature.

The story revolves around the special bond between Tehya and her father as they spend quality time together. Their adventures highlight the joy of their relationship, showcasing moments of fun, learning, and connection. Through their interactions, the narrative emphasizes the importance of family and the simple pleasures of life.

A glimpse inside a magical Tuscan villa--rustic yet urbane, old-world elegant yet bohemian, accessible yet personal--that nurtures the world's finest literary talents.

Über Kämpfe und Grenzen des modernen Familienlebens. Vom Autor des Bestsellers »Die Stunden/The Hours«. »Schlichtweg atemberaubend.« Ocean Vuong 5. April 2019: Dan und Isabel leben mit ihren beiden Kindern in Brooklyn. Doch die Fassade des häuslichen Glücks bekommt erste Risse. Während Violet, fünf Jahre alt, die wachsende Kluft zwischen ihren Eltern auszublenden versucht, unternimmt der zehnjährige Nathan seine ersten unsicheren Schritte in Richtung Unabhängigkeit. Und dann ist da noch Robbie, Isabels Bruder, der aus dem Dachgeschoss ausziehen soll. Und dessen Weggang die Familie auseinanderzureißen droht. 5. April 2020: Als die Welt im Lockdown ist, fühlt sich das Haus in Brooklyn eher wie ein Gefängnis an. Isabel und Dan umkreisen sich misstrauisch. Robbie ist derweil auf Island gestrandet, allein in einer Holzhütte, mit nichts als seinen Gedanken - und seinem geheimen Instagram-Leben - als Gesellschaft. 5. April 2021: Die Familie hat das Schlimmste der Krise überstanden und kommt zusammen, um sich mit einer neuen, ganz anderen Realität auseinanderzusetzen - mit dem, was sie gelernt und was sie verloren haben. Und wie es weitergehen könnte.