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Ingo Niermann

    WATER COLUMN
    The Curious World of Drugs and Their Friends
    Umbauland
    The great pyramid
    Dubai democracy
    Choose drill
    • For the Berlin writer Ingo Niermann, the embrace of discipline (“drill”) is the next step in the evolution of demoracy, for which he proposes a “Drill Palace.”

      Choose drill
    • Solution 186-195: Dubai Democracy is the fifth book in the Solution series. Using Dubai as a sort of modernist blank slate for urban and social renewal, author Ingo Niermann confronts today's most relevant cultural and technological developments with analytical elixirs that are as pertinent as they are unbelievable. Niermann's Dubai will become as specialized as housing the global center for treating diabetes--called Sugar World--and as universal as offering non-confrontational public spaces where both a state of total advertising and compulsive kindness, or what he calls a "personal humaneness account," co-exist. Translation from the German by Gerrit Jackson

      Dubai democracy
    • If the team behind it is successful, its members will be rich beyond the wildest dreams of even the most ambitious pharaoh. Sunday TelegraphMillions of people will buy these bricks? BBC World ServiceThe idea could be read as a democratization of megalomania. Süddeutsche ZeitungMega-Pyramid set to save Germany. ORFSolution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This book also documents the architectural proposals for the Great Pyramid, selected by a jury composed of Rem Koolhaas, Omar Akbar, Stefano Boeri, and Miuccia Prada. It also contains critical texts and voices from the press on this exceptional project.ContributorsHeiko Holzberger, Till Huber, Rem Koolhaas, Christian Kracht, Zak Kyes, Chus Mart�nez, Hans Ulrich Obrist, Madelon Vriesendorp, David Woodard. Projects by Atelier Bow-Wow (Tokyo), Fake/ Ai Weiwei (Beijing), Nikolaus Hirsch/Wolfgang Lorch/Markus Miessen (Frankfurt am Main), and MADA s.p.a.m. (Shanghai)

      The great pyramid
    • After the end of the Second World War, the Federal Republic of Germany wanted to avoid a national "special path" at all costs. Even those who, since reunification, have called for a new patriotism merely mean to accomplish Germany's perfect normalization as a Western democracy. What they call for is not a profession of specifically German values but an abstract love for the country in which people happen to have been born and grown up. But now, as globalization advances and China rises to become the world's greatest economic power, the West's very existence is at stake. The union between democracy and prosperity has been broken; democracy is no longer the indubitably most effective evil. To remain competitive in the face of globalization, Germany needs unique and inimitable advantages of location, it needs to look for specifically German visions. In Solution 1-10: Umbauland, Ingo Niermann devises ten provokingly simple ideas which would see Germany work it out after all, including a new grammar, a new political party, assigning allotment gardens to unemployed people and retirees, and the Great Pyramid, the tallest building of the world which would serve as a democratic tomb for millions of people (see Solution 9: The Great Pyramid, eds. Ingo Niermann and Jens Thiel).

      Umbauland
    • The Curious World of Drugs and Their Friends

      A Very Trippy Miscellany

      • 192 páginas
      • 7 horas de lectura

      Exploring the fascinating world of drugs, this book combines quirky humor with thorough research to present a unique trivia journey. It offers an unbiased look at various substances, challenging conventional perceptions while providing informative insights. Readers can expect a blend of entertainment and education as they navigate through the wacky facts and stories that make up this unconventional exploration.

      The Curious World of Drugs and Their Friends
    • WATER COLUMN

      • 72 páginas
      • 3 horas de lectura

      Exploring the mysterious realm beneath the ocean's surface, the second publication in the FUTURE series delves into a world that feels both close and alien. Utilizing advanced technology, artists Taiyo Onorato and Nico Krebs investigate the deep sea, highlighting the tension between exploration and potential exploitation. This vast underwater domain, rich with imagination and possibility, serves as a canvas for their work, blending research with fiction and prompting reflections on humanity's origins and its environmental impact.

      WATER COLUMN
    • It's 2011, late summer. All over Europe, young people are occupying central public squares to demonstrate for more social justice. In Berlin, their agenda is different. The completists gathered at Alexanderplatz aspire for justice primarily on an intimate level. They believe that only when the redistribution of material wealth includes equal chances of finding sex and love - no matter how elderly, disable, or ugly you are - communism will become real

      Complete love
    • Solution 275-294: Communists Anonymous is a document of some imageries of communism and a testament to the current predicament of our political imagination. Atomized, privatized, and deprived of any infrastructure for solidarity?without any internationalist project, with moralizations compensating for the disappearance of political organization, with micro-politics replacing macro-politics?communists can only be anonymous in this world of ours. Edited by writer Ingo Niermann and curator Joshua Simon, this collection of essays and stories?written from the fields of art, literature, law, philosophy, activism, design, and science?proposes resolutions to current social contradictions, covering topics such as bacteria, bliss, immortality, queerness, interculturality, poetry, transportation, childhood and motherhood, and all-encompassing sensual love

      Communists anonymous
    • What is luxury? Anything that is not essential to life and that, once everyone has it, is rather annoying. —Solution 264, “Public Poverty” Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea. Now that the promise of global prosperity and abundance can technically be fulfilled, the time has come for a minimalist rethink of society. By relying on drills and a principle of reduction, the individual can be granted a freedom for experiences and ideas that are not possible otherwise. The more we simplify, the lighter the ballast we'll have to carry. The twelfth volume in the Solution series includes an account of Niermann's travels through North and South Korea, accompanied by the author's photographs. The eleven solutions in Solution 264–274: Drill Nation build from insights culled while on the trip. Published to coincide with the Real DMZ Project 2015, curated by Sunjung Kim and Nikolaus Hirsch Solution Series edited by Ingo Niermann

      Drill nation
    • The future of art

      • 320 páginas
      • 12 horas de lectura

      In 1831 Honoré de Balzac wrote a short story, “The Unknown Masterpiece,” in which he invented the abstract painting. Almost 200 years later, writer Ingo Niermann tries to follow in his footsteps to imagine a new epoch-making artwork. Together with the artist Erik Niedling he starts searching for the future of art and, seeking advice, meets key figures of the art world. Includes the DVD The Future of Art by Erik Niedling and Ingo Niermann (HD, 157 min.). Contributors Thomas Bayrle, Olaf Breuning, Genesis and Lady Jaye Breyer P-Orridge, Olafur Eliasson, Harald Falckenberg, Boris Groys, Damien Hirst, Gregor Jansen, Terence Koh, Gabriel von Loebell, Marcos Lutyens, Philomene Magers, Antje Majewski, Hans Ulrich Obrist, Thomas Olbricht, Friedrich Petzel, and Tobias Rehberger; and commentary by Chus Martínez

      The future of art