Phil Graham Libros

Every day trillions of dollars circulate the globe in a digital data space and new forms of property and ownership emerge. Massive corporate entities with a global reach are formed and disappear with breathtaking speed, making and breaking personal fortunes the size of which defy imagination. Fictitious commodities abound. The genomes of entire nations have become corporately owned. Relationships have become the overt basis of economic wealth and political power. Hypercapitalism explores the problems of understanding this emergent form of global political economic organization by focusing on the internal relations between language, new media networks, and social perceptions of value. Taking an historical approach informed by Marx, Phil Graham draws upon writings in political economy, media studies, sociolinguistics, anthropology, and critical social science to understand the development, roots, and trajectory of the global system in which every possible aspect of human existence, including imagined futures, has become a commodity form.

Capturing a transformative era in the global music industry, this collection of interviews spans from the late 1960s to 2012, featuring insights from key figures who influenced the sector's evolution. It delves into various facets of the music business, including artistic, technical, and commercial elements, highlighting the decisions that shaped its trajectory. The interviews offer timeless knowledge that is significant for understanding the historical context and ongoing changes in the commercial music landscape, making it a valuable resource for researchers and enthusiasts alike.

The book explores the origins and lasting impact of militarised communication, starting with the Committee on Public Information in 1917, which aimed to unify public opinion for World War I. It posits that the CPI laid the groundwork for a new political economy characterized by corporatism, influencing communication strategies and public attitudes that persist today. The analysis extends to the emergence of globalisation in the mid-1990s, illustrating how historical communication practices continue to shape contemporary political and economic landscapes.

The narrative follows Xai, a skilled San tracker, who is unexpectedly enlisted into the South African Defence Force. His mission is to locate and rescue sixty schoolchildren kidnapped by armed terrorists. As he navigates the challenges of this dangerous operation, the story delves into themes of courage, survival, and the clash of cultures, highlighting Xai's unique skills and perspective as a member of the Bushmen community.

Focusing on the interplay between creative industries and power dynamics, the book offers a critical cultural analysis that reveals how creative labor influences our cultural and political landscapes. It examines both the positive and negative impacts of these industries, highlighting their significance in shaping collective realities. Through this exploration, the text seeks to deepen the understanding of the creative sector's role in society.

The narrative explores the author's personal journey through various experiences, highlighting significant achievements alongside challenges and setbacks. It offers an introspective look at resilience and growth, emphasizing how both successes and failures contribute to one's overall story. The account serves as a reflection on life’s complexities, inviting readers to consider their own paths and the lessons learned along the way.