Jonathan Lethem es un novelista, ensayista y cuentista estadounidense conocido por su enfoque innovador de la literatura de género. Sus obras a menudo entrelazan elementos de ciencia ficción y novela policíaca, creando narrativas únicas y provocadoras. Lethem se distingue por una profunda exploración de temas como la identidad, la alienación y la naturaleza de la realidad, empleando con frecuencia giros inesperados y una prosa brillante. Su habilidad para mezclar la alta y baja cultura lo consagra como una voz significativa en las letras estadounidenses contemporáneas.
Gornick, una mujer madura, camina con su madre, ya anciana, por las calles de Manhattan, y en el transcurso de esos paseos llenos de reproches, de recuerdos y complicidades, va desgranando el relato de la lucha de una hija por encontrar su propio lugar en el mundo. Desde muy temprano, Gornick se ve influenciada por dos modelos femeninos muy distintos: uno, el de su madre; el otro, el de Nettie. Ambas, figuras protagónicas en el mundo plagado de mujeres que es su entorno, representan modelos que la joven Gornick ansía y detesta encarnar, y que determinarán su relación con los hombres, el trabajo y otras mujeres durante el resto de su vida
An unexpected visitor in a man's apartment pens a peculiar confession intended for the host who is not present. This intriguing scenario unfolds into a deeper exploration of secrets and personal revelations, as the guest's thoughts reveal insights into both his own character and the absent host's life. The narrative invites readers to ponder themes of identity, connection, and the impact of uninvited intrusions on one's private world.
'A detective novel of winning humour and exhilarating originality.' - Sunday TimesLionel Essrog is Brooklyn's very own self-appointed Human Freakshow, an orphan whose Tourette's Disease drives him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St Vincent's Home for Boys, he works for mobster Frank Minna. But when Frank is fatally stabbed and his widow skips town, Lionel attempts to untangle the threads of the case.
SOON TO BE A MAJOR MOTION PICTURE, MOTHERLESS BROOKLYN IS RELEASED IN CINEMAS DECEMBER 2019 'A detective novel of winning humour and exhilarating originality.' Sunday Times Lionel Essrog is Brooklyn's very own self-appointed Human Freakshow, an orphan whose Tourette's Disease drives him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St Vincent's Home for Boys, he works for mobster Frank Minna. But when Frank is fatally stabbed and his widow skips town, Lionel attempts to untangle the threads of the case.
From the funked-up, messed-up Brookyn of the 1970s to the present day, this stunning novel spans thirty years in the life of two best friends, Dylan and Mingus, their families and an entire neighbourhood. From their stories come the history of soul music, of graffiti art, of comic books, of experimental film and 'rock writing'. With a cast of more than a hundred characters and more than fifty speaking parts, this is a touching and intimate novel on an epic scale.
Exploring a diverse range of subjects, the book delves into themes such as sex in cinema, drugs, and cyberculture, while reflecting on significant events like 9/11. The author challenges conventional wisdom and shares deep insights into the multifaceted nature of artistic vision. Personal experiences serve as a catalyst for creative expression, making the narrative both provocative and introspective.
Conrad Metcalf has problems. He has a monkey on his back, a rabbit in his waiting room, and a trigger-happy kangaroo on his tail. (Maybe evolution therapy is not such a good idea.) He's been shadowing Celeste, the wife of an affluent Oakland urologist. Maybe falling in love with her a little at the same time. When the doctor turns up dead, Metcalf finds himself caught in a crossfire between the boys from the inquisitor's Office and the gangsters in the back room of the Fickle Muse. Jonathan Lethem's first novel is a science fiction mystery. It's funny. It's not so funny.
Jonathan Lethem is perhaps our most active literary voice mining the genre margins of our culture. In this unique collection he creates an anthology that no one else could. He draws on the work of such unforgettables as Julio Cortazar, who presents a man caught between the ancient and modern worlds unable to say which is real; Philip K. Dick, who tells the story of a man trapped on a spaceship of the somnolent, unable to sleep and slowly losing his mind; Shirley Jackson, who takes us on a nightmarish trip across town with a young secretary; and Oliver Sacks, who presents us with an aging hippie who possesses no memory of anything that has taken place since the early seventies. What Lethem has done is nothing less than define a new genre of literature-the amnesia story-and in the process he invites us to sit down, pick up the book, and begin to forget. Also including: John Franklin Bardin, Donald Barthelme, Thomas M. Disch, Karn Joy Fowler, David Grand, Anna Kavan, Haruki Murakami, Flann O'Brien, Edmund White, and many others.
Anna Karenina left her husband for a dashing officer. Lady Chatterley left hers for the gamekeeper. Now Alice Coombs has her boyfriend for nothing … nothing at all. Just how that should have come to pass and what Philip Engstrand, Alice’s spurned boyfriend, can do about it is the premise for this vertiginous speculative romance by the acclaimed author of Gun, with Occasional Music.Alice Coombs is a particle physicist, and she and her colleagues have created a void, a hole in the universe, that they have taken to calling Lack. But Lack is a nullity with taste — tastes; it absorbs a pomegranate, light bulbs, an argyle sock; it disdains a bow tie, an ice ax, and a scrambled duck egg. To Alice, this selectivity translates as an irresistible personality. To Philip, it makes Lack an unbeatable rival, for how can he win Alice back from something that has no flaws — because it has no qualities? Ingenious, hilarious, and genuinely mind-expanding, As She Climbed Across the Table is the best boy-meets-girl-meets-void story ever written.
Handsome, impeccably tuxedoed Bruno Alexander travels the world winning large sums of money from amateur "whales" who think they can challenge his peerless acumen at backgammon. Fronted by his pasty, vampiric manager, Edgar Falk, Bruno arrives in Berlin after a troubling run of bad luck in Singapore. Perhaps it was the chance encounter with his crass childhood acquaintance Keith Stolarsky and his smoldering girlfriend Tira Harpaz. Or perhaps it was the emergence of a blot that distorts his vision so he has to look at the board sideways. Things don't go much better in Berlin. Bruno's flirtation with Madchen, the striking blonde he meets on the ferry, is inconclusive; the game at the unsettling Herr Kohler's mansion goes awry as his blot grows worse; he passes out and is sent to the local hospital, where he is given an extremely depressing diagnosis. Having run through Falk's money, Bruno turns to Stolarsky, who, for reasons of his own, agrees to fly Bruno to Berkeley, and to pay for the experimental surgery that might save his life. Berkeley, where Bruno discovered his psychic abilities, and to which he vowed never to return. Amidst the patchouli flashbacks and Anarchist gambits of the local scene, between Tira's come-ons and Keith's machinations, Bruno confronts two existential questions: Is the gambler being played by life? And what if you're telepathic but it doesn't do you any good?
