Explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.
Fourteen sculptures of the distinguished Central Asian artist Erkin Mergenov constitute the subject matter of this book. The creative force of the sculptor produced the artifacts, which then inspired historians, theologians, philosophers and literary scholars to produce ‘verbal’ responses and meditations on original themes. The texts, which exemplify different cross-disciplinary approaches to art and sculpture, cover the 30-year span of the artist’s career – from Self-Portrait (1971) to Premonition (2001).