Michael Marder es un filósofo especializado en fenomenología, pensamiento político y filosofía ambiental. A través de su obra, explora las intrincadas relaciones entre el pensamiento humano y el mundo natural, enfatizando una conexión más profunda entre ecología y ética. Su escritura fomenta una reevaluación de nuestro lugar dentro del ecosistema.
Focusing on the concept of sexuate difference, this book envisions a more just and ecologically aware world. It features original texts from Luce Irigaray's students and collaborators, alongside an introduction by Irigaray herself, offering diverse perspectives on creating a society that values and thrives on gender diversity. The work encourages readers to rethink societal structures and foster a deeper connection to ecological principles through the lens of gender.
Energy Dreams interrogates the ontology of energy from the first coinage of
the word energeia by Aristotle to the current practice of fracking and the
popularity of energy drinks.
Groundless Existence discusses the implicit phenomenological and existential foundations of Schmitt's political philosophy. The book's unique contribution lies in its claim that Schmitt decisively breaks with the metaphysical tradition and predicates the political on the 'groundless' categories of existence, including risk, decision, and agonism. This argument is substantiated by both tacit and explicit existentialist and phenomenological underpinnings of Schmitt's work, discussed here for the first time in book form.The book provides an insight into the implications of Schmitt's thought reconceptualized in the light of contemporary political developments. An essential text for anyone interested in the political theory of Carl Schmitt, it offers a new reading of Schmitt's work against the double background of phenomenology and existentialism.-- Provided by Publisher
Exploring the concept of thinghood, this examination delves into Jacques Derrida's interpretations and their significance across various fields, including psychoanalysis, ethics, literary theory, aesthetics, and Marxism. The work highlights how Derrida's deconstruction philosophy intertwines with the notion of the "thing," offering a comprehensive analysis that enhances understanding of his influential ideas.
We entrust readers with thirty fragments of reflections, meditations, recollections, and images - one for each year that has passed since the explosion that rocked and destroyed a part of the Chernobyl nuclear power station in April 1986. The aesthetic visions, thoughts, and experiences that have made their way into this book hover in a grey region between the singular and self-enclosed, on the one hand, and the generally applicable and universal, on the other. Through words and images, we wish to contribute our humble share to a collaborative grappling with the event of Chernobyl. Unthinkable and unrepresentable as it is, we insist on the need to reflect upon, signify, and symbolize it, taking stock of the consciousness it fragmented and, perhaps, cultivating another, more environmentally attuned way of living.
Michael Marder proposes a new methodology for political science and
philosophy, one which he terms categorial thinking. Under this lens, the
political appears not as a singular concept but as a family of categories,
allowing room for new, plural, and often antagonistic ideas about the state,
the people, sovereignty, and power.
We entrust readers with thirty fragments of reflections, meditations, recollections, and images - one for each year that has passed since the explosion that rocked and destroyed a part of the Chernobyl nuclear power station in April 1986. The aesthetic visions, thoughts, and experiences that have made their way into this book hover in a grey region between the singular and self-enclosed, on the one hand, and the generally applicable and universal, on the other. Through words and images, we wish to contribute our humble share to a collaborative grappling with the event of Chernobyl. Unthinkable and unrepresentable as it is, we insist on the need to reflect upon, signify, and symbolize it, taking stock of the consciousness it fragmented and, perhaps, cultivating another, more environmentally attuned way of living.
""Green Mass" is a meditation on-and with-twelfth-century Christian mystic and polymath Saint Hildegard of Bingen. Attending to Hildegard's vegetal vision, which greens theological tradition and imbues plant life with spirit, philosopher Michael Marder uncovers a verdant mode of thinking. The ensuing work stages a fresh encounter between present-day and pre-modern concerns, ecology and theology, philosophy and mysticism, the material and the spiritual, in word and sound. Hildegard's lush notion of "viriditas," the vegetal power of creation, is emblematic of her deeply entwined understanding of physical reality and spiritual elevation. From blossoming flora to burning desert, Marder plays with the symphonic multiplicity of meanings in her thought, listening to the resonances between the ardency of holy fire and the aridity of a world aflame. Across Hildegard's cosmos, we hear the anarchic proliferation of her ecological theology, in which both God and greening are circular, without beginning or end. Accompanied by Peter Schuback's musical movements, which echo both Hildegard's own compositions and key themes in each chapter of the book, this multifaceted work creates a resonance chamber, in which to discover a radical vision of the living world anew"--
Grafting: do we ever do anything other than that? And are we ever free from vegetal influences when we engage in its operations? For the philosopher Michael Marder, our reflections on vegetal life have a fundamental importance in how we can reflect on our own conceptions of ethics, politics, and philosophy in general. Taking as his starting point the simple vegetal conception of grafting, Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces. Moving across disciplinary lines, Grafts combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa. Weighing in on contemporary debates such as the ethics of biotechnology, dietary practices or political organization, Marder inserts an unmistakable vegetal perspective into topics of discussion where it normally wouldnt be found. Transferring the living tissue of his own texts into another context, he helps them live better, more fully, than otherwise.-- Source other than Library of Congress
