Exploring the concept of colour-form abstraction, this book features an insightful essay that delves into the interplay of color and form in art. It is accompanied by an annotated survey showcasing the evolution of Roy Osborne's paintings from 2008 to 2020, highlighting his artistic journey and the significance of his work in contemporary art.
Exploring the significance of color in Renaissance heraldry and art, this collection features primary sources with original annotated English translations. It includes works by notable figures such as Jean Courtois and Gilles Corrozet, alongside texts by Antonio Telesio, Fulvio Pellegrino Morato, Gerard Leigh, and Giovanni Paolo Lomazzo. Each piece delves into the symbolism of colors in coats of arms and artistic practices, providing insights into the cultural and aesthetic values of the period. The original texts enhance the understanding of these historical works.
Offering a comprehensive reference, this book details over 3,070 authors and 3,430 titles related to color literature from 1495 to 2025. It includes a historical overview, an A-Z directory of authors with publication details, and biographical information. English translations for non-English titles are provided. The volume features chronological indexes of authors and is organized into 27 categories, covering diverse fields such as Architecture, Design, Psychology, and more, making it an invaluable resource for scholars and enthusiasts alike.
Exploring Renaissance colour symbolism, this book presents original texts and English translations of two significant works: Telesio's extensive lexicon of Latin colour terminology and Morato's comprehensive digest of colour meanings. Published in the 16th century, these texts are pivotal in the study of colour, marking them as early printed works in Europe on the subject. Authored by Roy Osborne, an esteemed artist and historian, the book offers valuable insights into the historical context and interpretations of colour in art and culture.
Exploring Renaissance colour symbolism, this collection features original texts and English translations of two significant works: Jean Courtois's "Le Blason de toutes armes et éscutz" and Gilles Corrozet's "Le Blason des couleurs en armes." Completed in the early 15th and 16th centuries respectively, these texts represent the earliest printed books on colour in Europe. They provide a crucial insight into the symbolism associated with colours in heraldry, now accessible to modern readers for the first time in five centuries.
This comprehensive catalog presents a chronological compilation of Roy Osborne's artworks from 1968 to 2022. It includes detailed annotations, illustrations, and dates for each piece, accompanied by relevant quotations that provide insight into the artist's thoughts and inspirations. This resource serves as a valuable reference for art enthusiasts and scholars interested in the evolution of Osborne's artistic journey.
Updated to 2020, BOOKS ON COLOUR 1495-2015 offers quick and easy reference to 2,500 authors and editors and over 3,000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication, and translations for non-English titles. Biographical references are included where known. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes of authors follow it. Publications are categorised under 27 general headings: Architecture, Chemistry, Classification, Colorants, Computing & Television, Decoration, Design, Dress & Cosmetics, Dyeing, Flora & Fauna, Food, Glass, History, Lighting, Metrology, Music, Optics, Painting, Perception, Philosophy, Photography & Cinema, Printing, Psychology, Symbolism, Terminology, Therapy, and Vision.