Marilynne Robinson Orden de los libros (cronológico)

"For generations, the Book of Genesis has been treated by scholars as a collection of documents by various hands expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's new book is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation"--Publisher's description.

Jack tells the story of John Ames Boughton, the beloved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard and a ne'er-do-well. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African-American high school teacher, also a preacher's child, with a discriminating mind, a generous spirit, and an independent will. Their fraught, beautiful story is one of Robinson's greatest achievements.

New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”

The Givenness of Things is Robinson unadorned, speaking her mind forthrightly, sometimes with frustration, often with dry humour . . . Robinson makes full use of her writerly imagination Herald

Lila, de cuatro o cinco años, malvive en una casa de obreros inmigrantes en algún punto del Midwest de la década de 1920. Nadie parece preocuparse mucho por ella. Pasa el tiempo acurrucada bajo una mesa hasta que rompe a llorar y alguien la manda fuera de la casa. Un anochecer, una mujer llamada Doll se lleva a Lila. Sobreviven uniéndose a una banda de trabajadores nómadas en busca de empleo mientras el país se sume en la Gran Depresión. Pasan los años y para Lila la felicidad sigue siendo algo extraño. Doll ha desaparecido de su vida sin saber cómo y ella sigue su deambular, preguntando casa por casa si alguien tiene un trabajo para ella. Un día, para guarecerse de una tormenta, entra en una iglesia del poblado de Gilead mientras el reverendo John Ames pronuncia su sermón. Con el vestido mojado, los ojos tristes, Lila no había nacido para ser una mujer bella. A pesar de la diferencia de edad y de condición, Lila y el reverendo Ames vivirán una historia de amor como un milagro repentino e inexplicable. Lila huye de un pasado itinerante y brutal, y el reverendo recupera el sentido del amor cuarenta años después de la muerte de su primera mujer.

Ein kleiner Ort inmitten grandioser, übermächtiger Natur an einem Gebirgssee in den Rocky Mountains, Mitte der 1950er. Hier wachsen im Haus ihrer Großeltern die Schwestern Ruth und Lucille auf, die beide Eltern verloren haben. Nach dem Tod der Großmutter kehrt ihre exzentrische Tante Sylvie zurück, um die Erziehung der Mädchen zu übernehmen. Trotz aller Bemühungen ihnen ein Heim zu bereiten, ist es ihr nicht gegeben, einen Haushalt zu führen, wie es sich gehört – das Haus selbst scheint sich gegen alle Ordnung aufzulehnen, und im Ort werden die drei zunehmend zu Außenseiterinnen. Doch während die träumerische Ruthie sich vom unkonventionellen Vagabundenleben der Tante angezogen fühlt, sehnt sich die jüngere Lucille nach einem geregelteren Leben. Die beiden Schwestern werden einander immer fremder. Eine gefühlskluge Geschichte über Heimatlosigkeit und Zugehörigkeit, voller Magie und Poesie. Die Pulitzer-Preisträgerin Marilynne Robinson, hierzulande noch nahezu unbekannt, ist eine der wichtigsten Schriftstellerinnen der Gegenwart.

From the author of the magnificent, award-winning novels GILEAD and HOME comes this, a collection of wonderful, heart-warming essays about reading

By defending the importance of individual reflection, this title celebrates the power and variety of human consciousness in the tradition of William James. It explores the nature of subjectivity and considers the culture in which Sigmund Freud that was situated and its influence on his model of self and civilization.

Hundreds of thousands of readers were enthralled and delighted by the luminous, tender voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize-winning novel. Now comes HOME, a deeply affecting novel that takes place in the same period and same Iowa town of Gilead. This is Jack's story. Jack - prodigal son of the Boughton family, godson and namesake of John Ames, gone twenty years - has come home looking for refuge and to try to make peace with a past littered with trouble and pain. A bad boy from childhood, an alcoholic who cannot hold down a job, Jack is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton's most beloved child. His sister Glory has also returned to Gilead, fleeing her own mistakes, to care for their dying father. Brilliant, loveable, wayward, Jack forges an intense new bond with Glory and engages painfully with his father and his father's old friend John Ames.

In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, a kind of last testament to his remarkable forebears. 'It is a book of such meditative calm, such spiritual intensity that is seems miraculous that her silence was only for 23 years; such measure of wisdom is the fruit of a lifetime. Robinson's prose, aligned with the sublime simplicity of the language of the bible, is nothing short of a benediction. You might not share its faith, but it is difficult not to be awed moved and ultimately humbled by the spiritual effulgence that lights up the novel from within' Neel Mukherjee, The Times 'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In Gilead, however, nothing goes wrong' Jane Shilling, Sunday Telegraph

"She grew daring and reckless. Overestimating her strength. She wanted to swim far out. Where no woman had swum before."

A book-full of projects with diagrams, step-by-step instructions, and color photos. Very useful pull-out pattern.

From the Orange Prize winning author of HomeAcclaimed on publication as a contemporary classic, Housekeeping is the story of Ruth and Lucille, orphansgrowing up in the small desolate town of Fingerbone in the vast northwest of America.Abandoned by a succession of relatives, the sisters find themselves in the care of Sylvie, the remote and enigmatic sister of their dead mother. Steeped in imagery of the bleak wintry landscape around them, the sisters' struggle towards adulthood is powerfully portrayed in a novel about loss, loneliness and transience.'I love and have lived with this book . . . it holds a unique and quiet place among the masterpieces of 20th century American fiction.' Paul Bailey'I found myself reading slowly, than more slowly--this is not a novel to be hurried through, for every sentence is a delight.' Doris Lessing