Kehbuma Langmia Libros

Set in the traditional African village of 'Ntisong', the play explores themes of greed and the complexities surrounding death. Sunyin, coerced into marriage by her father, faces the tragedy of premature widowhood due to the actions of a group of vampires, known as 'Nda Saah', who kill for wealth. As the narrative unfolds, justice is sought against these culprits, raising questions about the village's future. The play also delves into the dual nature of 'black art' mysticism in Africa, highlighting its potential benefits and drawbacks.

Exploring the complex notion of supremacy, the book delves into the historical and sociopolitical implications of both Black and White ancestry. It critically examines the longstanding discourse surrounding White supremacy and seeks to unpack its true meaning, inviting readers to reflect on the nuances of racial power dynamics. Through thoughtful debate, it aims to challenge preconceived notions and provoke deeper understanding of supremacy in contemporary society.

Set against the backdrop of Cameroon’s 1992 multiparty presidential elections, the play explores the intense civil unrest in Bamenda, where SDF militants clash with regime loyalists amid a government-imposed curfew. The narrative follows Titabet, a courageous leader who rises from the chaos, supported by the sacred women's cult of Takumbeng. Together, they embody hope and resistance against the brutality of the army's response, which includes severe violence against civilians. The story highlights themes of oppression, resilience, and the fight for justice.

Ellen Peng navigates the challenges of being a firstborn and role model while grappling with her tumultuous relationship with her mother, Lydia. Lydia's reckless decisions, including orchestrating her husband's death for the sake of her younger lover Tom, threaten the family's stability. Ellen must confront the destructive dynamics of her mother's insatiable desires and the potential fallout that could extend beyond their family, leading to profound psycho-social consequences for herself and their community.

The play centers on the battle between Kamsi and her allies against rebellious councillors in Nyong village, highlighting the struggle against unseen malevolent forces. Crafted by a celebrated actor and playwright, it delves into the intricate alliances and tensions within the community. Infused with clever proverbs and humor, this drama promises to captivate readers while exploring themes of good versus evil.

This book argues for hybridity of Western and African cultures within cybercultural and subcultural forms of communication. Kehbuma Langmia argues that when both Western and African cultures merge together through new forms of digital communication, marginalized populations in Africa are able to embrace communication, which could help in the socio-cultural and political development of the continent. On the other hand, the book also engages Richard McPhail’s Electronic Colonization Theory in order to demonstrate how developing areas such as Africa experience a new form of imperialistic subjugation because of electronic and digital communication. Globalization and Cyberculture illustrates how new forms of communication inculcate age-old traditional forms of communications into Africa’s cyberculture while complicating notions of identity, dependency, and the digital divide gap.