Anastasija Ropa Libros

The essay explores the portrayal of women in medieval literature, highlighting the views of classical writers like Galen and Aristotle, who regarded women as inferior and defective. It contrasts these perspectives with Christian interpretations that depicted women as seductresses linked to original sin. The protagonist, Nicholas, embodies these misogynistic views, treating women as inferior beings, akin to animals. His behavior reflects the teachings of ecclesiastical authorities of the time, emphasizing the perception of women as more bestial and lustful compared to men.

This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous - and often ambiguous - role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.-- Source other than the Library of Congress