Focusing on the epistemological issues in Othello, this book employs analytic philosophy, particularly the insights of later Wittgenstein, to delve into the complexities of knowledge and belief depicted in the play. It examines how Shakespeare navigates themes of perception, truth, and understanding, offering a philosophical lens to interpret the characters' struggles and the narrative's unfolding.
Exploring linguistic idealism, the book argues that reality is shaped by language. Gaskin engages with contemporary metaphysics, philosophy of language, philosophical logic, and syntax theory, presenting a comprehensive defense of this thought-provoking thesis. Through a detailed examination of various topics, the work challenges conventional views and invites readers to reconsider the relationship between language and the world.
According to literary humanism, imaginative literature possesses an objective meaning fixed at the time of its creation, remaining consistent for all readers across time. These works refer to the real world, making statements that hold both cognitive and aesthetic value, which are closely intertwined. Richard Gaskin defends this perspective against critiques from two fronts. Some analytic aestheticians argue that literature lacks referentiality and does not convey true statements about the world. Others contend that while literature may possess cognitive value, it does not rely on truth or reference. Conversely, reception-theorists and deconstructionists challenge the humanist view of literary meaning, adopting a pragmatist and anti-realist stance on truth and meaning, often leading to a politicized approach to literature. In countering these attacks, Gaskin illustrates that engaging with literature is a cognitive endeavor comparable to scientific inquiry. He argues for a disinterested appreciation of literature, emphasizing its potential to enhance our understanding of the world and our place within it.
