Offering clear and insightful definitions, this glossary serves as a comprehensive resource for key terms in news and journalism studies. It aims to enhance understanding of significant concepts within the field, making it an essential reference for students, educators, and professionals alike.
Drawing on the collaborative expertise of three senior scholars, The Journalism Manifesto makes a powerful case for why journalism has become outdated and why it is in need of a long-overdue transformation. Focusing on the relevance of elites, norms and audiences, Zelizer, Boczkowski and Anderson reveal how these previously integral components of journalism have become outdated: Elites, the sources from which journalists draw much of their information and around whom they orient their coverage, have become dysfunctional; The relevance of norms, the cues by which journalists do newswork, has eroded so fundamentally that journalists are repeatedly entrenching themselves as negligible and out of sync; and because audiences have shattered beyond recognition, the correspondence between what journalists think of as news and what audiences care about can no longer be assumed. This authoritative manifesto argues that journalism has become decoupled from the dynamics of everyday life in contemporary society and outlines pathways for fixing this essential institution of democracy. It is a must-read for students, scholars and activists in the fields of journalism, media, policy, and political communication.
There is no more gruesome and tragic record in the history of the twentieth century than the photographs taken at the liberation of the concentration camps in Germany after World War II. Our memory of the Holocaust has been shaped by these images, and they are seared into our collective consciousness as brutal evidence of the atrocity of war and the evil of which humanity is capable. In her new book, Barbie Zelizer reveals the unique significance of the concentration camp photographs while being mindful of Leon Wieseltier's call to be strangers to these images. "If we are not strangers," he wrote, "if the names of the killers and the places of the killing and the numbers of the killed fall easily from our tongues, then we are not remembering to remember, but remembering to forget." Zelizer shows how the photographs have become the basis of our memory of the Holocaust and how they have affected our presentations and perceptions of contemporary history's subsequent atrocities.
Tabloidization, Technology and Truthiness
Exploring the evolution of journalism, this book delves into the impact of tabloidization, technological advancements, and the concept of "truthiness" on news reporting. It examines how sensationalism and digital media have reshaped public perception and trust in journalism. Through critical analysis, the author highlights the challenges faced by journalists in maintaining integrity and credibility in an increasingly competitive and fast-paced media landscape. The work serves as a crucial commentary on the future of news and its role in society.
Covering the Body (the title refers to the charge given journalists to follow a president) is a powerful reassessment of the media's role in shaping our collective memory of the assassination--at the same time as it used the assassination coverage to legitimize its own role as official interpreter of American reality. Of the more than fifty reporters covering Kennedy in Dallas, no one actually saw the assassination. And faced with a monumentally important story that was continuously breaking, most journalists had no time to verify leads or substantiate reports. Rather, they took discrete moments of their stories and turned them into one coherent narrative, blurring what was and was not "professional" about their coverage.
Focusing on the intersection of journalism and academia, this book critically surveys journalism scholarship across various disciplines, including sociology, history, and political science. It highlights the fragmentation within the field and aims to bridge gaps by organizing research from diverse areas. By examining both prominent and overlooked studies, it provides a comprehensive overview of how different fields contribute to journalism research, encouraging a more integrated approach to understanding the discipline.
The events of September 11 continue to resonate in powerful, yet sometimes unexpected ways. For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can reasonably expect of journalists in the name of democracy, have been shaken to their foundations. Journalism After September 11 examines how the traumatic attacks of that day continue to transform the nature of journalism, particularly in the United States and Britain.
What Journalism Could Be asks readers to reimagine the news by embracing a conceptual prism long championed by one of journalism's leading contemporary scholars.