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Shirley Marr

    Shirley Marr crea historias que existen en el punto de colisión entre el intelecto occidental y el corazón oriental, explorando temas de identidad cultural y resiliencia a través de protagonistas jóvenes poco convencionales. Su escritura se caracteriza por un ingenio oscuro, inusual y a menudo sorprendente, ofreciendo una perspectiva fresca sobre la ficción juvenil y infantil. La pasión de Marr reside en destilar su herencia cultural de maneras inesperadas, reinterpretando a menudo conceptos familiares a través de la lente de mujeres jóvenes y fuertes. Escribe con una voz única que abraza la complejidad de las experiencias culturales duales.

    Manche Mädchen rächen sich
    Countdown to Yesterday
    A Glasshouse of Stars
    All Four Quarters of the Moon
    • Eleven-year-old Peijing and her family are adapting to their new life in Australia, but when cracks in her family life start to appear, she must find a way to cope with the uncertainties of her own little world and figure out where she fits in.

      All Four Quarters of the Moon
    • Meixing Lim and her family arrive in Australia for a new and better life. Meixing struggles to cope in her new environment. Her parents said they would have a better life in Australia, but it feels worse, way worse. Meixing must be a brave girl and turn her life around

      A Glasshouse of Stars
    • James is stuck in the present... and that's the last place he wants to be. His parents have separated, and he must get used to living two different lives. Now, he has two homes, two bedrooms and two routes to school with nothing adding up to the one great life he used to have. James wishes he could go back to the past, to his Top Six best memories with Mum and Dad. Then, James meets Yan, a girl who looks at the world differently, and he discovers that travelling back in time might be possible. But are his memories as perfect as he remembers?

      Countdown to Yesterday
    • Niemand hätte gedacht, dass alles so endet. Niemand hätte gedacht, dass es Tote geben würde. Nicht einmal Eliza, die kluge Eliza, die nun alle für eine Mörderin halten. Vielleicht ist sie das. Irgendwie. Vielleicht hat ihr unendlicher Zorn einen anderen zum Mörder gemacht. Ihr Zorn auf die Mutter, die alles ist, nur keine Mutter; ihr Zorn auf all den Luxus, der am Ende nichts bedeutet; ihr Zorn auf eine verlogene, zum Kotzen heile Welt.

      Manche Mädchen rächen sich