Daniel Francis Galouye fue un escritor estadounidense de novelas cortas y cuentos de ciencia ficción, activo principalmente a mediados del siglo XX. Sus obras a menudo profundizaban en ideas complejas, explorando los límites de la experiencia y la realidad humanas. Galouye se centró en temas profundos, empleando su estilo distintivo para crear narrativas cautivadoras y que invitan a la reflexión para sus lectores.
Milton Bradford possesses a unique connection to the divine, embodying the Creative Force of God within himself. This extraordinary aspect of his character sets the stage for a profound exploration of spirituality and personal transformation, highlighting his journey and the impact of this inner power on his life and those around him. The narrative delves into themes of identity, purpose, and the relationship between humanity and the divine.
Project Barrier introduces readers to a captivating narrative that blends science fiction with thought-provoking themes. It explores the complexities of human perception and reality through a unique premise. The story invites readers into a world where barriers of understanding and communication are challenged, making it an engaging entry point for those new to Galouye's work. With its imaginative concepts and deep philosophical questions, this book promises to leave a lasting impression on its audience.
Armchair Fiction presents extra large editions of classic science fiction double novels. “This Crowded Earth” is the first novel, penned by the author of “Psycho,” Robert Bloch. It deals with a future Earth where there are just too damned many people—and all of the problems that go along with it. Bloch spins a fine tale as he takes a prophetic look at a very possible world of the future. The second novel is by sci-fi veteran, Daniel F. Galouye. “Reign of the Telepuppets” is a wonderful tale about a robot colony run wild. To the naked eye they appeared to be nothing but a small group of robotic misfits. But the ruling robot, a surly pile of circuits and mechanisms named Bigboss, was sure that their tiny colony was the center of the universe. In fact, Bigboss was sure there was no other living creature that was superior to him in any way. Yet a constant nagging deep in his robotic memory drums hinted of something different. It was a fleeting memory of the far-off world from which he came. A world where creatures lived that might actually challenge his rule. Little did he know that a spaceship filled with those creatures was hurtling towards him through the void. Living creatures of flesh and blood…
The book is a significant work in human history, emphasizing its importance and the efforts made for its preservation. It has been reformatted and retyped to ensure clarity and readability, avoiding the pitfalls of scanned copies. This modern edition aims to make the content accessible to both present and future generations, ensuring that its legacy endures.
This classical work, published over a century ago, holds significant historical importance. To ensure its legacy endures, Alpha Editions has undertaken the task of republishing it in a modern format. The book has been meticulously reformatted, retyped, and designed, providing a clear and readable text that is not derived from scanned copies of the original. This effort aims to make the work accessible to both present and future generations.
The March 1952 issue of IMAGINATION STORIES OF SCIENCE AND FANTASY features a collection of captivating tales. Highlights include "DARK DESTINY" by Dwight V. Swain and "SPACE OPERA" by John W. Jakes, alongside intriguing stories like "ONCE UPON A MONBEAST" by Charles E. Fritch and "THE KILLER" by J. T. Oliver. Readers can also enjoy "RIDE THE CREPE RING" by Milton Lesser and "REBIRTH" by Daniel F. Galouye, showcasing a blend of science fiction and fantasy that reflects the genre's creativity during that era.
The collection features important historical works that are now rare and costly antiques. It aims to preserve these significant texts and their original artwork by republishing them in high quality. This initiative ensures that these valuable contributions to human history remain accessible for current and future generations.
In einer nicht allzu fernen Zukunft wird jedes Produkt, bevor es in Serienproduktion geht, ausgiebig auf seine Marktakzeptanz hin getestet. Die Firma TEAG konstruiert zu diesem Zweck einen gigantischen Computer, der eine nahezu perfekte elektronische Simulation der wirklichen Welt ermöglicht, mit all ihren komplizierten Interaktionen. Bevölkert wird sie von mehreren tausend individuell entwickelten elektronischen Kunden, die in der Illusion existieren, sich in der richtigen Welt zu bewegen. Douglas Hall, Direktor der TEAG, kommt eines Tages auf den Gedanken, daß auch seine Wirklichkeit nichts anderes sein könnte als eine Simulation. Er beginnt, seine direkte Umwelt in Frage zu stellen und sucht nach unwiderlegbaren Beweisen für die reale Existenz seiner selbst. Je intensiver er seine Suche betreibt, um so merkwürdigere Erfahrungen macht er. Manche davon drohen, ihn in den Wahnsinn zu treiben. Der Autor: Daniel F. Galouye (*1920, †1976) war ein US-amerikanischer Journalist und Schriftsteller. Mit "Simulacron-3" (1964) schuf er einen Meilenstein des Science Fiction-Genres, der zweimal verfilmt wurde: 1973 von Rainer Werner Fassbinder unter dem Titel "Welt am Draht" und 1999 von Roland Emmerich unter dem Titel "The 13th Floor".