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Lélia Wanick Salgado

    Miguel Rio Branco
    Workers. An archaeology of the industrial age
    • This book is a global epic that transcends mere image-making to become an affirmation of the enduring spirit of working women and men. Sebasti�o Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. With extended captions by the photographer providing a historical and factual framework for the images, the book is divided into six essential chapters: Agriculture, Food, Mining, Industry, Oil and Construction. Though an elegy for the passing of traditional methods of labour and production, Workersultimately delivers a dynamic message of endurance and hope through an aestheticism that is instantly arresting, irrespective of time and place.

      Workers. An archaeology of the industrial age
    • Miguel Rio Branco

      An Aperture Monograph

      • 149 páginas
      • 6 horas de lectura

      The long-awaited first retrospective of the Brazilian photographer Miguel Rio Branco.The deep, succulent color of Miguel Rio Branco's images reflects the richness and complexities of contemporary Latin America; Rio Branco has received wide acclaim for his projects on boxers, Brazilian children, and Cuba. Through his mastery of layering with both color and light, Rio Branco reveals hidden and forbidden segments of his surroundings, illuminating the unspoken and the instinctual. By focusing on the textures of fur and feathers, the flesh of slaughtered animals, or languid human bodies, he captures the cultural layers around him and provides a provocative vision of Latin America.Drawn from thirty years of work, these photographs display the talent for visual construction that Rio Branco utilized in his direction of more than twenty films. His remarkable conception of installation is a skill attributed to his formal training as a painter. The author, poet, and art commentator David Levi Strauss notes that "Rio Branco's colors seep out of their borders like bodily fluids, staining and contaminating everything around them. Bodies, bindings, wounds, and walls are wet with color. Even his mirrors bleed. Rio Branco's is an art of contamination, contagion, and corrosion, but also of resistance and transcendence."

      Miguel Rio Branco