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Gabrielle Fahr-Becker

    1 de enero de 1946
    Gabrielle Fahr-Becker
    Wiener Werkstätte : 1903-1932
    The art of East Asia
    Art Nouveau
    Japanese Prints
    Wiener Werkstætte. 1903-1932
    Wiener Werkstätte
    • Wiener Werkstätte

      • 240 páginas
      • 9 horas de lectura

      In 1928 Josef Hoffmann described the Wiener Werkstdtte, a group of studios and workshops which he had founded 25 years previously with Koloman Moser and Fritz Waerndorfer, as ""The Wiener Werkstdtte, established in 1903, is an enterprise for the active promotion and cultivation of all endeavours in the pursuit of art and quality in modern crafts.""For thirty years, a group of highly qualified architects and craftsmen succeeded in realizing their dream of fusing architecture and interior design into a Gesamtkunstwerk - a ""total work of art."" The Wiener Werkstdtte combined fine and applied arts to convey a whole new outlook on life, liberated from the strictures of historicism and superfluous ornamentation. The buildings and objects that resulted combine classical elegance with streamlined functionality.No everyday object was too banal, no architectural task too complex for the artists of the Wiener Werkstdtte. They experimented with an endless variety of materials, from gold and precious stones to papier mbchi and glass beads, and their work still bears lasting witness to a unique and vital artistic movement. Even today, architects and designers continue to cite in their work the innovations and ideas of Josef Hoffmann and the Wiener Werkstdtte.

      Wiener Werkstätte
    • Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstatte ("Vienna Workshop") was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art

      Wiener Werkstætte. 1903-1932
    • Japanese Prints

      • 200 páginas
      • 7 horas de lectura

      This volume reproduces 139 Japanese woodblock colour prints by 43 famous masters of ukiyo-e, the popular art of the 17th to the 19th century. The originals are in the Riccar Art Museum in Tokyo, the world's largest and most celebrated collection of such prints

      Japanese Prints
    • With this volume, Gabriele Fahr-Becker delivers a complex portrait of the Art Nouveau phenomenon in all of its fantastic variety. It features different national variations of Art Nouveau in Scotland, England, France, Germany, Austria, the United States and other countries. It offers a comprehensive portrayal of famous individual artists including Louis Comfort Tiffany, Edward Munch, and Rene Lalique. It contains biographies of the most significant artists, and an extensive glossary. The unity of art and life was the expressed goal of the Art Nouveau movement, the prelude to modernity. On the basis of shared ideas its adherents strove for a homogenous style, which nonetheless took on manifold variations in its expression. Dr. Gabriele Fahr-Becker pursues this will to style in architecture, interior decor, furniture design, silver and goldsmithery, ceramics and glasswork, graphic arts and painting. The author leads her readers through the diverse national variations of Art Nouveau in Europe and the United States. Artists and their contemporaries explain the significance of the literary and philosophical as well as cultural and political background by means of many theories and writings. The countless permutations of Art Nouveau are woven into a complex and yet distinctive picture of this artistic movement at the turn of the twentieth century.

      Art Nouveau
    • This is an introduction to the representational culture of Japan, China, Korea and Southeast Asia. From architecture - sacred and secular, to painting, crafts and dance these volumes piece together a colourful mosaic of human expression.

      The art of East Asia
    • Wiener Werkstätte : 1903-1932

      • 240 páginas
      • 9 horas de lectura

      Ein Gesamtkunstwerk. Die Wiener Werkstätte vereinte die schönen und angewandten Künste zu einem vollkommen neuen Blick auf das Leben, befreit von den Fesseln des Historizismus und der überflüssigen Verzierungen. Die Gebäude und Objekte, die daraus entstanden, vereinten klassische Eleganz mit Funktionalität. Den Künstlern der Wiener Werkstätte war kein Gebrauchsgegenstand zu banal, keine architektonische Herausforderung zu komplex. Sie experimentierten mit allen denkbaren Materialien, mit Gold und Edelsteinen, Glasperlen und Papiermaché. Bis zum heutigen Tag benutzen die Architekten und Designer die Innovationen und Ideen von Josef Hoffmann und der Wiener Werkstätte.

      Wiener Werkstätte : 1903-1932