Stewart O′Nan Libros

A member of the greatest generation looks back on the loves and losses of his past and comes to treasure the present anew in this poignant and thoughtful new novel from a modern master Stewart O'Nan is renowned for illuminating the unexpected grace of everyday life and the resilience of ordinary people with humor, intelligence, and compassion. In Henry, Himself, he offers an unsentimental, moving life story of a twentieth-century everyman. Soldier, son, lover, husband, breadwinner, churchgoer, Henry Maxwell has spent his whole life trying to live with honor. A native Pittsburgher and engineer, he's always believed in logic, sacrifice, and hard work. Now, seventy-five and retired, he feels the world has passed him by. It's 1998, the American century is ending, and nothing is simple anymore. His children are distant, their unhappiness a mystery. Only his wife Emily and dog Rufus stand by him. Once so confident, as Henry's strength and memory desert him, he weighs his dreams against his regrets and is left with questions he can't answer: Is he a good man? Has he done right by the people he loves? And with time running out, what, realistically, can he hope for? Like Emily, Alone, which The New York Times called "O'Nan's best novel yet," Henry, Himself is a wry, warmhearted portrait of an American original who believes he's reached a dead end only to discover life is full of surprises.

Focusing on the tragic events of the 1944 Hartford circus fire, this gripping narrative explores themes of heroism and resilience amidst chaos. The acclaimed author, known for his previous works, delves into the human experiences surrounding this historical disaster, capturing the emotional depth and impact on the community. Through vivid storytelling, the book provides a poignant reflection on tragedy and the strength of the human spirit in the face of overwhelming adversity.

A ghost story that begins in everyday tragedy unfolds in a New England suburb on Halloween night, when a car carrying five teenagers crashes, resulting in three deaths. One teen escapes unharmed, while another suffers severe brain damage. A year later, the deceased return on a chilling mission, summoned by the memories of those left behind. This unsettling narrative explores the lives of three individuals forever changed by the accident: Tim, who survived but lost everything; Brooks, the cop burdened by guilt; and Kyle's mother, struggling to love her son, now altered by his injuries. As darkness descends, one of them enacts a terrible plan, leading to a collision of need and desire, all while watched over by the ghosts. This haunting tale elevates a tragic high school crash into myth, revealing deeper truths beneath a shared American tragedy. In the tradition of Ray Bradbury and Shirley Jackson, the story captures the intimate struggles of people clinging to hope and the dire consequences of their failures, reminiscent of Stewart O'Nan's previous works. The narrative weaves together themes of loss, guilt, and the complexities of human connection in the face of grief.

Sitting on Death Row, the Speed Queen tells how mainlining speed turned into dealing, how dealing turned into robbery, and robbery turned into mass murder. Set against an American landscape of fast-food joints and endless highways, this comic tale tells of lives in uncontrollable overdrive.

Set in a leafy Wisconsin town just after the American Civil War, this story opens one languid summer's day. Only slowly do events reveal themselves as sinister as one neighbour after another succumbs to a creeping, fatal disease.

In four highly acclaimed novels, Stewart O'Nan has proven himself among the most versatile of young writers, breathing new life into a wide range of literary traditions. A World Away is O'Nan at his most romantic and elegiac. By following the fortunes of the Langer family, whose oldest son, Rennie, is missing in action in the Pacific during World War II, O'Nan brilliantly captures the mood of this lost world and the changing fate of a country aware that when the war ends nothing will ever be the same.

The moving companion novel to Henry, Himself and a bittersweet vision of love, family, and aging from bestselling author Stewart O'Nan Once again making the ordinary and overlooked not merely visible but vital to understanding our own lives, Stewart O'Nan confirms his position as an American master with Emily, Alone. A sequel to the bestselling, much-beloved Wish You Were Here, O'Nan's intimate novel follows Emily Maxwell, a widow whose grown children have long departed. She dreams of visits from her grandchildren while mourning the turnover of her quiet Pittsburgh neighborhood. When her sister-in-law and sole companion, Arlene, faints at their favorite breakfast buffet, Emily's life changes in unexpected ways. As she grapples with her new independence, she discovers a hidden strength and realizes that life always offers new possibilities.

A chronicle of the Boston Red Sox's 2004 baseball season features a running diary of observations, arguments, play analyses, and controversial management decisions, as recorded by a pair of best-selling horror writers--and diehard Red Sox fans. 500,000 first printing.

"The joy of fiction is the joy of the imagination. . . ." The best stories engage readers, compelling them to turn pages in anticipation of what comes next. Great literature is defined by its imagination, as demonstrated in this exceptional anthology, which redefines the boundaries of imaginative fiction. It features contributions from renowned writers like Peter Straub, Chuck Palahniuk, Roddy Doyle, and Joyce Carol Oates, among others, showcasing their craft and challenging misconceptions about genres. Curated by Neil Gaiman and Al Sarrantonio, who personally selected each story, the anthology sets a high standard for this "new literature of the imagination." The collection aims to present familiar themes in fresh, illuminating ways. Notable tales include Joe Hill's disturbing exploration of evil in "Devil on the Staircase," Lawrence Block's unique take on fishing in "Catch and Release," and Carolyn Parkhurst's dark sibling rivalry in "Unwell." Joanne Harris introduces ancient gods in modern New York in "Wildfire in Manhattan," while Richard Adams's "The Knife" delves into vengeance. Jeffery Deaver's "The Therapist" features a psychologist on a mission to save lives, and Neil Gaiman's chilling "The Truth Is a Cave in the Black Mountains" offers a haunting punishment for a grave crime. This visionary volume will transform readers’ perspectives and ignite a renewed appreciation for exceptional fiction.

A frank and funny yet emotionally resonant tale set during a restaurant's last day of operation.