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Zoe͏̈ Wicomb

    23 de noviembre de 1948

    El trabajo literario de Zoë Wicomb profundiza en las complejidades de la identidad racial y las relaciones humanas, a menudo ambientado en el contexto del apartheid y la Sudáfrica post-apartheid. Su estilo distintivo ofrece una mirada penetrante a la psicología de los personajes y una exploración matizada de las historias personales. A través de sus novelas y cuentos, proporciona profundas perspectivas sobre individuos que lidian con el legado de la opresión y buscan su lugar en la sociedad. Wicomb capta magistralmente las tensiones entre diferentes mundos, demostrando cómo las experiencias pasadas dan forma a las vidas presentes.

    David's Story
    Playing In The Light
    You Can't Get Lost in Cape Town
    Still Life
    • A New York Times Top Historical Fiction Pick of 2020An inventive and genre- bending new novel from a master of the form, exploring race, the legacy of past exploitation and present-day authorship. Who should be remembered, and who should tell their story? .

      Still Life
    • Playing In The Light

      • 224 páginas
      • 8 horas de lectura

      Set in 1990s Cape Town, this novel revolves around Marion, a woman of Afrikaner background, who hates travelling but nonetheless runs a travel agency, and her complex relationship with Brenda, the first black woman she has ever employed.--Résumé de l'éditeur.

      Playing In The Light
    • Unfolding in South Africa, at the moment of Nelson Mandela's release from prison in 1991, this novel explores the life and vision of a male activist through the pen of a female narrator. David Dirkse is part of the underground world of activists, spies and saboteurs in the liberation movement -- a world seldom revealed to outsiders. With 'time to think' after the unbanning of the movement, David is researching his roots in history of the mixed-race 'Coloured' people of South Africa and of their antecedents among the indigenous people and early colonial settlers. Provides compelling history that is vividly personal, through the powerful filter of storytelling. Through voices that weave together -- responding to, illuminating, and sometimes contradicting one another -- Wicomb depicts a world where 'truth upon conflicting truth wriggles into shape'. The dramatic and violent turns at the close of the novel further testify to the complexity of truth -- and of telling.

      David's Story