Motivado por los diarios de Anaïs Nin, entonces inéditos, Henry Miller escribe su primera novela, que sería publicada en París en 1934, y en 1961 en los Estados Unidos, con más de sesenta juicios a propósito de su legalización. Trópico de Cáncer embiste contra el puritanismo y la moral burguesa y estremece desde la primera página: "Aquí estamos todos solos y muertos".
Now hailed as an American classic, <i>Tropic of Cancer</i>, Henry Miller’s masterpiece, was banned as obscene in this country for twenty-seven years after its first publication in Paris in 1934. Only a historic court ruling that changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller’s famed mixture of memoir and fiction, which chronicles with unapologetic gusto the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s. <i>Tropic of Cancer</i> is now considered, as Norman Mailer said, "one of the ten or twenty great novels of our century."
Autobiografische roman over het verblijf van de schrijver in Parijs rond 1930.
Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.
The second book of a trilogy of novels known collectively as "The Rosy Crucifixion". It is autobiographical and tells the story of the early days of Miller's turbulent second marriage, his impoverished life in New York and his first steps towards being a writer.
One of Henry Miller's most luminous statements of his personal philosophy of life, Stand Still Like the Hummingbird, provides a symbolic title for this collection of stories and essays. Many of them have appeared only in foreign magazines while others were printed in small limited editions which have gone out of print. Miller's genius for comedy is at its best in "Money and How It Gets That Way" -- a tongue-in-cheek parody of "economics" provoked by a postcard from Ezra Pound which asked if he "ever thought about money." His deep concern for the role of the artist in society appears in "An Open Letter to All and Sundry," and in "The Angel is My Watermark" he writes of his own passionate love affair with painting. "The Immorality of Morality" is an eloquent discussion of censorship. Some of the stories, such as "First Love," are autobiographical, and there are portraits of friends, such as "Patchen: Man of Anger and Light," and essays on other writers such as Walt Whitman, Thoreau, Sherwood Anderson and Ionesco.Taken together, these highly readable pieces reflect the incredible vitality and variety of interests of the writer who extended the frontiers of modern literature with Tropic of Cancer and other great books.
Nexus is the third volume of the scandalous trilogy The Rosy Crucifixion, Henry Miller's major life workThe exhilarating final volume of Henry Miller's semi-autobiographical trilogy, Nexus follows his last months in New York. Trapped in a bizarre ménage-à-trois with his fiery wife Mona and her lover Stasia, he finds his life descending into chaos. Finally, betrayed and exhausted, he decides to leave America and sail for Paris, to discover his true vocation as a writer.
Big Sur is the portrait of a place--one of the most colorful in the U.S.--and of the extraordinary people Miller knew there: writers (& writers who didn't write), mystics seeking truth in meditation (& the not-so-saintly looking for sex-cults or celebrity), sophisticated children & adult innocents; geniuses, cranks & the unclassifiable. Henry Miller writes with a buoyancy & brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book--the testament of a free spirit who has broken through the restraints & cliches of modern life to find within himself his own kind of paradise.
The first novel of Miller's frank, autobiographical trilogy uses dream, fantasy, and burlesque to portray the life of a struggling writer in pre-World War I New York.
