Peter Burke es un celebrado historiador británico, reconocido por su trabajo en la época moderna temprana. Sin embargo, su erudición trasciende los límites históricos tradicionales al enfatizar la relevancia de la historia social y cultural para los problemas contemporáneos. El enfoque de Burke ofrece una perspectiva única, ayudando a los lectores a comprender las conexiones entre el pasado y el presente. Su amplia experiencia y profundo conocimiento contribuyen a su reputación como un historiador significativo.
Estamos ante una obra única que nos obliga a entender y estudiar la cultura de la época moderna desde la diversidad de lenguas y de materias, otorgándonos una enriquecedora visión de conjunto, única entre los estudios que existen.
A través de un estudio minucioso de grabados, pinturas, dibujos y fotografías de todas las épocas, Burke pone de relieve que las imágenes no son reflejos objetivos de un tiempo y un espacio, ni constituyen testimonios oculares inocentes, sino que forman parte del contexto social que las produjo, y es cometido del historiador integrar la imagen en él.
This is the essential new field guide to the birds of Chile. Representing a great diversity of habitats, from the Andes in the north down to the tundra and sub-Antarctic rainforest of Tierra del Fuego in the far south, Chile is the breeding ground or temporary abode of 473 known species including 9 found nowhere else in the world. Birds of Chile covers them all, embracing not only the mainland but points offshore such as Easter Island as well as the Antarctic Peninsula and adjacent islands, plus the Falklands and South Georgia. In addition to being a friendly and fruitful birding destination in its own right, Chile is the starting point for many Antarctic cruises. Succinct, identification-focused text and distribution maps share a page opposite each of the 97 color plates to allow quick and easy reference. Between the boldfaced English name and the scientific name comes the Spanish name as used in Chile; this is important, for birders will find their quest far more enjoyable and effectual if they can explain to Chileans exactly what they are looking at, think they are looking at, or hope to be looking at. Since Chile's list of resident species is yet far from conclusive, vagrants and rarities are also included. Indeed, some birds once thought to be accidentals in Chile have since proved to be regulars, including the Westland Petrel, Least Sandpiper, Cliff Swallow, and Golden-billed Saltator. Compact, comprehensive, and easy to use, Birds of Chile is the essential field guide to the birds of this spectacular and tourist-friendly country. The essential new field guide to the birds of Chile 97 color plates with succinct text and maps on facing pages for quick reference and easy identification All 473 known species breeding in or visiting Chile, from the Andes in the north down to the tundra and sub-Antarctic rainforest of Tierra del Fuego in the south Also covers points offshore such as Easter Island as well as the Antarctic Peninsula and adjacent islands, plus the Falklands and South Georgia Compact, portable, and user-friendly
The aim of this book is both to illustrate and to discuss some of the main varieties of cultural history which have emerged since the questioning of what might be called its "classic" form, exemplified in the work of Jacob Burckhardt and Johan Huizinga. Among the themes of individual chapters are the history of popular culture, the history of Carnival, the history of mentalities, the history of gestures, the history of jokes, and even the history of dreams. The emphasis of both the introduction and the case-studies which follow is on the variety of forms taken by cultural history today. The classic model has not been replaced by any new orthodoxy, despite the importance of approaches inspired by social and cultural anthropology. Variety is to be found in the cultures studied as well as among their historians. The case-studies included in the volume come not only from Europe (and in particular from Italy) but also from the New World, especially Brazil. Particular emphasis is placed on the importance of cultural encounters, cultural conflicts, and their consequences, whether these consequences should be described in terms of mixing, syncretism or synthesis. Written by one of the leading cultural historians in Europe today, this book will be of particular interest to students of early modern Europe, of the encounters between European culture and the New World, and to students and scholars interested in problems of historiography.
What is the history of knowledge? This engaging and accessible introduction
explains what is distinctive about the new field of the history of knowledge
(or, as some scholars say, knowledges in the plural ) and how it differs from
the history of science, intellectual history, the sociology of knowledge or
from cultural history.
Written by two leading social and cultural historians, A Social History of the Media provides a masterful overview of communication media and of the social and cultural contexts within which they emerged and evolved over time. The authors retrace the complex and multiple paths of development, exploring the interrelations between communication media and other aspects of social life. The scope of this book is far-reaching, exploring the history of the different means of communication in the West from the invention of printing to the Internet. It deals with each constituent element in what came to be called 'the media' and discusses, among other things, the continuing importance of oral and manuscript communication, the rise of print, the relationship between physical transportation and social communication, and the development of electronic media. The book concludes with an account of the convergences associated with digital communication technology, the rise of the internet and the phenomenon of globalization. Avoiding technological determinism and rejecting assumptions of straightforward evolutionary progress, this book brings out the rich and varied histories of communication media. It will be an ideal text for students in history, media and cultural studies and journalism, but it will also appeal to a wide general readership.
The book offers a detailed exploration of the social and political institutions in Italy during the fifteenth and sixteenth centuries, highlighting the unique ways of thinking and perception that fueled the remarkable artistic creativity of the Italian Renaissance. Peter Burke's analysis delves into the cultural dynamics that shaped this pivotal era, providing insights into the interplay between society and art.
The author examines the world of popular culture in pre-industrial Europe including the role of minstrels, fools, jugglers, strolling players, and singers of tales. Popular songs, stories, and plays are also discussed
The first three editions of this bestselling book have established A Social History of the Media as a classic, providing a masterful overview of communication media and of the social and cultural contexts within which they emerged and evolved over time. This fourth edition has been revised and updated throughout to reflect the latest developments in the field. Additionally, an expanded introduction explores the wide range of secondary literature and theory that inform the study of media history today, and a new eighth chapter surveys the revolutionary media developments of the twenty-first century, including in particular the rise of social and participatory media and the penetration of these technologies into every sphere of social and private life. Avoiding technological determinism and rejecting assumptions of straightforward evolutionary progress, this book brings out the rich and varied histories of communication media. In an age of fast-paced media developments, a thorough understanding of media history is more important than ever, and this text will continue to be the first choice for students and scholars across the world.