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Abdelkebir Khatibi

    Abdelkbir Khatibi fue un escritor y crítico literario marroquí cuya obra, influenciada por el espíritu rebelde de la contracultura de los años 60, desafió las normas sociales y políticas sobre las que se construyó la región del Magreb. Su escritura profundiza en las complejidades de la identidad, la cultura y la sociedad, a menudo a través de una lente poscolonial. El estilo de Khatibi se caracteriza por su profundidad intelectual y su sensibilidad poética, ofreciendo una perspectiva única sobre el mundo árabe moderno.

    The Splendor of Islamic Calligraphy
    Plural Maghreb
    • Plural Maghreb

      • 208 páginas
      • 8 horas de lectura

      Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.

      Plural Maghreb
    • Islamic calligraphy traditionally took its inspiration from the Muslim belief in the divine origin of Arabic writing. In early Islam the use of Arabic writing is sacred, and official texts gave rise to a wonderful profusion of scripts and a calligraphic tradition that has flourished for over a thousand years -- not only in manuscript decoration but also in architecture, ceramics, and painting. This book provides a comprehensive survey of the subject from its earliest origins to the present day. It explains the geometrical and ornamental principles of calligraphy and examines the interdependence of script and page decoration. Finally, and perhaps most important, it contains outstanding examples of scripts-- Kufic, Thuluth, Naskhi, and Maghribi -- in a series of magnificent reproductions of manuscript pages, paintings, and other works of art--Publisher's description

      The Splendor of Islamic Calligraphy