The book is set to be highlighted in an upcoming Ken Burns documentary that explores the complex relationship between the U.S. and the Holocaust. It delves into historical events, societal attitudes, and government actions during this critical period, offering insights into how America responded to the atrocities of the Holocaust. Through a blend of personal stories and broader historical analysis, the book aims to shed light on the moral dilemmas faced by the nation and the lasting impact of these choices.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 From the award-winning, best-
selling writer: a deeply moving tale of a father and son's transformative
journey in reading - and reliving - Homer's epic masterpiece.
"A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers-Erich Auerbach, François Fénelon, and W. G. Sebald-and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as "exquisite" (The New York Times) and "spectacular" (the TLS), best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism,Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own-works that pondered the nature of narrative itself. Erich Auerbach, the Jewish philologist who fled Hitler's Germany and wrote his classic study of Western literature, Mimesis, in Istanbul... François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus-a veiled critique of the Sun King and the best-selling book in Europe for one hundred years-resulted in his banishment... and the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn's struggles to write two of his own books-a family saga of the Holocaust and a memoir about reading theOdyssey with his elderly father-that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life"-- Provided by publisher
"In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic—part memoir, part reportage, part mystery, and part scholarly detective work—that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust—an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him."--from amazon.com
Winner of the 2020 Prix du Meilleur Livre Etranger, France's best foreign book of the year In this genre-defying book, best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own-works that pondered the nature of narrative itself. Erich Auerbach, the Jewish philologist who fled Hitler's Germany and wrote his classic study of Western literature, Mimesis, in Istanbul. Francois Fenelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey,The Adventures of Telemachus - a veiled critique of the Sun King and the best-selling book in Europe for one hundred years - resulted in his banishment. And the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn's struggles to write two of his own books-a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father-that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life
Dionysus, god of wine and ecstasy, has come to Thebes, and the women are streaming out of the city to worship him on the mountain, drinking and dancing in wild frenzy. The king, Pentheus, denouces this so-called 'god' as a charlatan. But no mortal can deny a god and no man can ever stand against Dionysus. This stunning translation, by the award-winning poet Robin Robertson, reinvigorated Euripides' devastating take of a god's revenge for contemporary readers, bringing the ancient verse to fervid, brutal life.
'Mendelsohn takes the classical costumes off figures like Virgil and Sappho,
Homer and Horace ... He writes about things so clearly they come to feel like
some of the most important things you have ever been told.' Sebastian Barry
In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic—part memoir, part reportage, part mystery, and part scholarly detective work—that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust—an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time. *** Depuis qu’il est enfant, Daniel Mendelsohn sait que son grand-oncle Shmiel, sa femme et leurs quatre filles ont été tués, quelque part dans l’est de la Pologne, en 1941. Comment, quand, où exactement ? Nul ne peut lui en dire plus. Et puis il découvre ces lettres désespérées écrites en 1939 par Shmiel à son frère, installé en Amérique, des lettres pressant sa famille de les aider à partir, des lettres demeurées sans réponse... Parce qu’il a voulu savoir ce qui s’est passé, parce qu’il a voulu donner un visage à ces six disparus, Daniel Mendelsohn est parti sur leurs traces, rencontrant, année après année, des témoins épars dans une douzaine de pays. Cette quête, il en a fait un livre, puzzle vertigineux, roman policier haletant, plongée dans l’Histoire et l’oubli – un chef-d’œuvre. « Daniel Mendelsohn a écrit une œuvre puissamment émouvante sur le passé " ; perdu " ; d’une famille, qui rappelle à la fois l’opulence des œuvres en prose de Proust et les textes elliptiques de W.G. Sebald. Une réussite exceptionnelle. » Joyce Carol Oates « Les Disparus est une bouleversante enquête de détective à part entière, doublée d’un questionnement sur les interventions énigmatiques de Dieu dans les affaires humaines, et approfondie par une réflexion sur la part d’inéluctable et d’incompréhensible que le hasard introduit dans l’Histoire. » John Maxwell Cœtzee « Entre épopée et intimité, méditation et suspense, tragédie et hilarité, Les Disparus est un livre merveilleux. » Jonathan Safran Fœr « Mendelsohn réussit à assembler un tableau immensément humain dans lequel chaque témoin a un visage et chaque visage une histoire et un destin. » Elie Wiesel
Eine berührende Vater-Sohn-Geschichte auf den Spuren von Homers Epos Als Jay Mendelsohn, pensionierter Mathematiker und 81 Jahre alt, eines Tages spontan beschließt, den Uni-Grundkurs seines Sohnes Daniel zum Thema »Odyssee« zu besuchen, ahnen beide Männer nicht, dass dies der Beginn einer ganz eigenen Familienreise ist. Vater und Sohn beschließen nämlich, auf einer Schiffsroute den Spuren des großen Epos von Homer zu folgen – und im Angesicht der eigenen Sterblichkeit kommen sie sich dabei endlich wieder näher. Bewegend und mitreißend erzählt Daniel Mendelsohn, wie ein 3000 Jahre alter Mythos ihn und seinen Vater wieder zueinanderführt.
