Spanning twenty years and five collections, Brenda Shaughnessy's Liquid Flesh: New & Selected Poems introduces new readers to one of America's most audacious and thrilling poets.
Brenda Shaughnessy Libros
Brenda Shaughnessy es una poeta cuya obra profundiza en las complejidades de la experiencia humana con urgencia e intensidad eléctrica. Sus poemas resuenan con una potente mezcla de humor y profunda vulnerabilidad, explorando a menudo temas de identidad, el cuerpo y las relaciones. Shaughnessy escribe con una voz singular que es a la vez cruda y lírica, atrayendo a los lectores a una exploración convincente de la emoción y el pensamiento. Su escritura es celebrada por su honestidad intrépida y su capacidad para encontrar tanto la belleza como el dolor dentro de lo cotidiano.
Brenda Shaughnessy is one of America’s most audacious and thrilling poets. In Tanya she weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the mysteries of friendship, love, art, and loss. Tanya is her sixth collection, her first since Liquid Flesh: New & Selected Poems.
Exploring the complexities of love, this collection of poetry delves into the paradoxes and emotional intricacies that define romantic relationships. The verses capture the beauty and chaos of love, blending humor with profound insights. Through vivid imagery and innovative language, the poet invites readers to reflect on their own experiences, revealing the often illogical nature of love and connection. Each poem serves as a unique exploration of desire, longing, and the unexpected turns that love can take.
The Octopus Museum
- 96 páginas
- 4 horas de lectura
This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics.Informed by Brenda Shaughnessy's craft as a poet and her worst fears as a mother, the poems in The Octopus Museum blaze forth from her in these pages, we see that what was once a generalized fear for our children (car accidents, falling from a tree) is now hyper-reasonable, specific, and school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.