Literary Theory
- 269 páginas
- 10 horas de lectura
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Hans Bertens es un autor académico neerlandés y profesor emérito especializado en estudios americanos y literatura comparada. Su obra profundizó en las complejidades de la literatura moderna y posmoderna, examinando sus aspectos formales e implicaciones ideológicas. Bertens analizó cómo las técnicas y estilos literarios reflejan y moldean nuestra comprensión del mundo, ofreciendo perspectivas perspicaces sobre la evolución del pensamiento literario. Su enfoque enfatiza la interconexión de la teoría literaria y el análisis crítico.



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A guide to literary theory explores such topics as reception theory, biopolitics, feminist criticism, postmodernism, and aesthetics.
The essays in this collection address key theoretical issues surrounding Postmodernism, including its evolving definition, periodization, and historicity. Some pieces provide readings of Postmodernist texts, linking practical criticism to theoretical frameworks. Hans Bertens outlines the historical evolution of Postmodernism in American criticism, clarifying various definitions proposed over the past twenty-five years to enhance understanding and discussion. Brian McHale and Douwe Fokkema present models for analyzing Postmodernist texts, while Richard Todd argues that Postmodernism is more prevalent in contemporary British fiction than previously recognized. Herta Schmid makes a similar case regarding Russian avant-garde theater. Elrud Ibsch contrasts Thomas Bernhard and Robert Musil, and Ulla Musarra explores Italo Calvino's work. Gerhard Hoffman examines the relationship between Existentialism and Postmodernism, while Theo D'haen identifies parallels between Postmodernism in literature and visual arts. Matei Calinescu connects literary Postmodernism to broader cultural shifts, challenging Foucault's idea of an epistemic break and advocating for both continuity and discontinuity. Finally, Helmut Lethen and Susan Suleiman critically assess the concept of Postmodernism, with Suleiman suggesting that the alleged reaction against Modernism may be a critical myth or limited to the American context.