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Mary Ruefle

    Mary Ruefle es una poeta y ensayista estadounidense cuya obra se caracteriza por una perspicaz visión de la experiencia humana y un estilo lingüístico original. Sus poemas y ensayos exploran las complejidades de la existencia con elegancia y profundidad, presentando a menudo giros sorprendentes y un imaginario inesperado. Ruefle aborda la escritura con una profunda curiosidad, buscando constantemente nuevas formas de articular lo inarticulable. Su obra atrae a lectores que aprecian la introspección reflexiva y la belleza poética.

    On Imagination
    Madness, Rack, and Honey: Collected Lectures
    A Little White Shadow
    My Private Property
    Trances of the Blast
    Tristimania
    • Tristimania

      • 96 páginas
      • 4 horas de lectura

      Tristimania is Mary Ruefle’s eighth book of poems.

      Tristimania
    • Trances of the Blast

      • 136 páginas
      • 5 horas de lectura

      A much-anticipated new collection from celebrated poet Mary Ruefle--moving, authoritative, generous.

      Trances of the Blast
    • My Private Property

      • 128 páginas
      • 5 horas de lectura

      The paperback edition of lauded poet Mary Ruefle's latest collection of exciting and vivacious prose poems, essays, and more in-between.

      My Private Property
    • On Imagination

      • 32 páginas
      • 2 horas de lectura

      From religion to poetry to museum exhibitions, an inquiry into imagination's manifestations by acclaimed poet Mary Ruefle.

      On Imagination
    • Dunce

      • 104 páginas
      • 4 horas de lectura

      A stunning new collection of poems from Mary Ruefle inviting the many readers of her prose to discover the central form of her literary imagination.

      Dunce
    • Following the acclaimed Dunce , which was a finalist for the Pulitzer Prize, comes Mary Ruefle’s latest prose publication The Book . True to its bold title, The Book affirms Mary Ruefle’s legacy as (dubbed by Publishers Weekly ) “the patron saint of childhood and the everyday.”  With the same curiosity found in Madness, Rack, and Honey and My Private Property , Ruefle’s prose here feels both omniscient and especially intimate. “It seems I believe in a bygone world though I no longer live there,” she writes. “Will I continue to read about all that is dusty?” In the spirit of friendship, Ruefle generously invites us to query ourselves as readers and thinkers in a world that will eventually endure without us.

      The Book