On the Philosophy of Central European Art
The History of an Institution and Its Global Competitors
- 154 páginas
- 6 horas de lectura
Exploring the evolution of art as an institution, this book traces its origins in Central Europe and its global spread through colonialism and diaspora. It examines the influence of class, gender, and race on artists, challenging traditional highbrow definitions of art. The concept of "nobrow" is introduced to advocate for a more inclusive and democratized understanding of art in the future.
