Bold, beautiful and spiky, Angela Readman’s stories are both magical and real. Following her acclaimed debut Don’t Try This at Home, in this new collection, she approaches the fairy tale with a scalpel. The Girls are Pretty Crocodiles reads like a love letter to girlhood and a ransom note to all the fairy tales we have been told. In her prize-winning work 'The Story Never Told', an illiterate woman sells fairy tales for a book she knows will never have her name on the cover. In 'What’s Inside a Girl', a class takes lessons on dating invisible girls.Dark, funny and surreal, these stories explore, challenge and ultimately transform the traditional fairy tale narrative. Women learn to be origami, climb into swan skins, feed wolves, flip burgers and snog kelpies. In dazzling prose that remains matter-of-fact, these tales take to task the happy endings we have been sold.Otherworldly, yet down to earth, The Girls are Pretty Crocodiles discovers the hidden voice in the stories we know and reveals the magic within working-class lives. These stories have teeth.
Angela Readman Libros
Angela Readman es una autora cuyas historias son reconocidas por su voz distintiva y estilo potente. Sus narrativas profundizan en las complejidades de la experiencia humana, explorando a menudo paisajes emocionales complejos con una honestidad impactante. Readman emplea magistralmente el lenguaje para crear relatos cautivadores y memorables que resuenan profundamente en los lectores. Su obra es celebrada por su originalidad y profundidad, lo que la convierte en una presencia significativa en la literatura contemporánea.


Out of the doll's house and into the woods, Bunny Girls steps out of the shadows of girlhood and looks at the world with wide eyes. Surreal, spiky, wise and darkly funny, this new collection by Costa-winning author and poet Angela Readman expertly mixes shades of film noir, northern wit, and magic realism. Through the lens of childhood, these poems address autism, anxiety, and darker concerns buried by cultural ideals of femininity. Here in Readman's skilful words are odes to severed heads, angels and Disney villains, Marilyn Monroe's body double, squashed slugs, sexual awakenings, Wendy-houses and snow globes, nosebleeds and blackbirds. Women are both invisible and actively writing themselves into the visible. Where there is isolation and dislocation, its counterbalance is finding breathless, reckless joy in the acts of creation and imagination. At its heart, this enlivening, magnificent book is about darkness and light, the lovely and the frightening, the beautiful and the worrying.